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There is a good chance you found us accidentally by using the word “taint” in your search (If you found us on purpose, you deserve our accolades). Of course, we don’t know what you were looking for, but you stumbled on a damn cool project. Look around; let us help send you on a musical journey. Here you will find a number of album reviews from the strange and extreme to the tame and mainstream. Our reviewers are a bunch of obsessive miscreants. Most of us are avid music collectors and have been involved in the music world for decades. A couple of us have been in or are still in bands.

There are no rules on Tickle Your Taint Blog. Our reviewers might make you laugh, or piss you off; both results are legitimate. One reviewer might write a glowing review of an album; another might tear it apart. We may have a new review every week, or we could end up with one every six months. This blog exists as a social experiment to build community among a diverse group of music maniacs – our reviewers and hopefully you.


Saturday, May 29, 2010

The Antiprism


(Barbarian records)

Reviewed by Hartman

Here we have the debut record by the Madison, Wisconsin quartet the Antiprism. The band is comprised of veterans of the Mad city scene including members of the excellent bands Tormentula and Merrick. This record is a breath of fresh air for me after so many forgettable metal records clogged with blast beats, little to no melody, and notes just for the sake of notes. This record has atmosphere, memorable riffs, and a collage of styles and influences to keep it interesting throughout it’s 11 tracks.

The Antiprism mix up the old school thrash (Celtic Frost style), black metal, nasty punk, classic heavy metal, and more on this one. Male and female vocals mix things up and keep it fresh. The Opening track “The Antiprism” is a doomy sludgy opener setting the solemn mood for the record, but the second track “Exorcist” goes the opposite direction with this upbeat catchy number. Track 4, “Madness Eternal” has some crazy vocal echoing that melds well with the pummeling guitar riffage. Another personal fave is “Obliterate Existence” with pounding fist tempo.“For Blood Red Skies” closes the ablum a lot like it opens, which is a great full circle resolution and adds to the overall feel of the work.

These guys bring back some classic styles mostly from the 1970s-80s but mix them in their own unique way with interesting vocals, hooks, and overall great songwriting. It deserves some attention.

3 comments:

  1. Nice review. Thanks for directing me to a band that I had not heard.

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  2. Well put! Agreed, these guys rule!

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  3. I bought this album and it is every bit as good as Hartman claims.

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