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Elder’s new record, Reflections of a Floating World,is hands-down the
record of the year for me up to this point. Progressing with each record
into more of a prog band than a doom band, they are now firmly planted within
the proximity of Yes’ classic 1974 release, Relayer—one of my
favorite prog records. The expansion of the group beyond a trio definitely
pays off with a much fuller sound. Elder has few contemporaries treading
similar ground other than Pallbearer or occasionally Earthless. Although I have
a feeling a prog revival is on the way, right on the heels of the heavy psych
trend happening now.
PaulySure:
At some point in your life, you have probably described a
bands album as “perfect”; maybe you were right, maybe you were wrong. Anyways,
here is one instance in which a band put out the perfect album. Reflections of a Floating World by New
England based stoner doom band Elder is that album, and honestly, it is the
whole package. Elder, who got their start a little over a decade ago, have now
put out 4 very solid full-length albums, each one better than the last. Not
only has each individual member become a better musician during that time
period, but somehow it is almost as if this three-piece has morphed into one
unit that is constantly pushing, and reinventing, the genre. With Reflections, it is as if Elder has
dialed back the stoner elements a bit, and upped the progressive elements a
lot, something which have always been present and increasingly prevalent
between albums; needless to say, Elder has not rejected their roots and still
totally follow the smoke to the riff-filled land (this should be an obvious
reference to the band Sleep, if you are unaware of this, fix it and go check
them out).
So, given this information, what makes Reflections of a Floating World a perfect album? Everything!
Clocking in at a little over an hour long, the 6 songs take you on a musical
journey. One moment you’re in heavy, stoner-y, cathartic bliss; then
suddenly enjoying a new rhythmic almost pop-y prog melody (synths included),
and then you’re on to another change of tempo that now involves the prog and
the doom. It’s like you have experienced four or five different songs before
the track is even over, the layers on these songs are absolutely stimulating.
And what’s even more impressive is that it doesn’t seem like any one member is
trying to stand out from the other, they all work together and blend together
perfectly; even in terms of volume. Lastly, in my opinion, there is not a stand
out track. That may sound like a negative, but on the contrary, this album is
meant to be listened to start to finish; it a stand out album. Throw in
the amazing artwork, and as I said, this album is perfection. If you’re not
listening to Elder, you’re not really living!
Dave:
It’s a well written record. It hits on a lot of the better
elements of Pelican and expands on these ideas, except this Elder record isn’t
as has heavy as Pelican. I like the fact that they are having fun. There is
some enthusiastic lead guitar, that breaks the anti-guitar-hero mold, which I
appreciate. I also really like the references to Yes and a little Don Caballero
on this record. I think there are the high points that might bring me back to
listen to it again. It’s a hip record that fits nicely into popular sounds,
which frankly bore me.
Five-Inch Taint:
For me, this album is, hands down, the best of the year. It
will be difficult for any other record to top it. Probably what I appreciate
most about Reflections is that, no
matter how you listen to it, the music is stellar throughout. While Elder may be reflecting on a
floating world, listening to this album makes me feel like I am floating in
this world. My first two or three listens were while driving in the car, with
the music playing in the background. The continuity within and between songs,
the sexy riffs, and even the more proggy elements, make these songs a joy to
listen to. As I was driving in my car the first time listening to the CD, I
only made it through the first two tracks, as I had traveled the twenty minutes
to my destination. Not once did I notice how long those two songs were. Rather,
I was caught up in the beautiful continuity that runs throughout the album.
Casually listening I was hooked. When I was able to dedicate some time to
listen to the entire album, I was drawn in even more. It was the big hooks and
riffs that captured my attention initially, but upon further listening the
little intricacies make this an unmatchable album for me. Elder seems to have added layers
to their music compared to their previous albums without falling into the trap
of just filling up space. The songs, while having a sweeping continuity to
them, have a tremendous amount of discontinuity and change, moving to a new
time signature in rhythm mid-song, seamlessly. What is beautiful about this
album is that the complexity of the song structure (and the organization of the
album itself) is not for the sake of complexity, but is more about pushing
their music to new levels. Reflections
depth, continuity, and discontinuity and its listenability (in both casual and
focused settings) makes this the best album of the year for me.
SoDak:
The last several months, I have been eagerly looking forward
to Elder’s Reflections of a Floating
World—perhaps more than any other record this year. I saw Elder play three
times the last couple of years. They blew me away each time. Plus, they just
got better with each performance. Reflections
is an exceptional record. Each song is a masterpiece that is captivating,
shifting between and blurring lines between doom, progressive, and stoner
traditions. The guitars, bass, and drums intersect perfectly. On the second
song, “The Falling Veil,” which I think is great, I do not think the keyboards
add anything of value to the song. But this is a minor issue. The layered
guitar parts create a beautiful, intricate dance within each song. I am enthralled
by the guitar work, where the rhythm and the lead create a feeling that I am
being taken on an epic journey.
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