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There is a good chance you found us accidentally by using the word “taint” in your search (If you found us on purpose, you deserve our accolades). Of course we don’t know what you were looking for, but you stumbled on a damn cool project. Look around; let us help send you on a musical journey. Here you will find a number of album reviews from the strange and extreme to the tame and mainstream. Our reviewers are a bunch of obsessive miscreants. Most of us are avid music collectors and have been involved in the music world for decades. A couple of us have been in or are still in bands.

There are no rules on Tickle Your Taint Blog. Our reviewers might make you laugh, or piss you off; both results are legitimate. One reviewer might write a glowing review of an album another might tear it apart. We may end up adopting a single review system, such as five stars, or each reviewer may use his own or none at all. We may have a new review every week or we could end up with one every six months. This blog exists as a social experiment to build community among a diverse group of music maniacs – our reviewers and hopefully you. Pull down your knickers, lube up and join us in tickling yours and our taints.


Thursday, June 29, 2017

Rosalie Sorrels (1933-2017)

By SoDak


In the late 1980s, I came across a record of Rosalie Sorrels. I was quite taken by this folksinger, given the combination of personal and political songs. Her voice was beautiful and gentle. The words were direct and honest. It was evident that she loved poetry, storytelling, and the west. I was thrilled to learn that Utah Phillips and her spent a lot of time traveling and playing music together, while working for social change. She spent much of her life collecting stories and writing songs in order to share them with others. In the late 1990s, I saw Sorrels play a concert in a small coffee shop in Eugene, Oregon. There were twenty to thirty people crowded together to share the evening. Ken Kesey introduced Sorrels, sharing a couple short stories about her, highlighting her humanity, the power of her words, and the importance of art in resistance and social struggle. Sorrels captivated the audience sharing stories about her comrades and the lives of regular working folks. Stories and songs were woven together. We fell in love with Idaho and Utah because of how she recounted her life and experiences in these places. This week I was saddened to learn that she died June 11, 2017, but am left appreciating the music she made.







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