By Beert
Back in the summer of 2015, I attended a very diverse
show in Rapid City, which included dance, punk, noise, folk, and doom, all in
one night. My mind continually goes back to how incredible Olenka and the
Autumn Lovers were. Going in to the show, I only knew two bands— my own band at
the time, Corundum, and Japanese noise-masters The Atomic Whirl. But my ears
were captured by Olenka and the Autumn Lovers. While my 2015 year-end review on
this site stated I would review all of their albums, I’m limiting myself to
only one. But I highly recommend you get all they have to offer, and you’ll see
why.
I have chosen my favorite release by them—Papillonette. Right from the start, this
band shows you what they’re made of. The song “Flash in the Pan” is on my
very short list of perfect songs. The music is
haunting and sad—everything that makes a fantastic country-folk song. It is full
of emotion and has biting, heart-wrenching lyrics sung in an almost breathless
voice, backed by music that cradles you in its arms while wiping the tears
away. Listen to the song and you’ll see what I mean. Here is a few of the lyrics:
My brain’s in a fuzzy
little coating
of alcohol and lies. No goodbyes.
I dream I’m careening down the freeway
to your naked eyes, past the lies.
It is a prefect driving and crying song. It soothes and it
digs into a well of emotion. I could put this song on repeat all day.
The song “Blue” follows, and it’s another beauty. It is a
tale of sadness and loneliness, regarding pushing away another who loves
you, knowing you’ll only let them down. The song is beautiful. It is a great
folksy tune that hits me in the heart.
Please don’t go to so
much trouble.
There is nothing you can do.
Don’t you know I’ll simply make you
blue?
I think we’ve all been there.
“Papillon” comes in just prior to the midway point of the EP.
It has the feel of a waltz, filled with sadness and loss, with lyrics about
a butterfly searching for lost love and seeing the sadness in others. Sung
in French, the meaning comes through whether you speak the language or not.
This song could easily be a James Bond theme, although not to A View to a Kill, even though it had
killer “butterflies” in a non-existent restaurant in the Eiffel Tower.
“45” rises after the song of the sad butterfly. And goddamn
is this song great. Set in the carnage of the Second World War, it’s a chilling
tale about a soldier on the front line who knew he would die before
all was said and done. It’s another superb effort by this band. They
have the ability to convey so much with minimalistic lyrics, and the
music takes you on the journey as well. You can almost imagine the
ghost of this soldier, sitting on a bombed-out building, strumming away on a
ghostly guitar, plucking the strings of the instrument and the hearts of those
who walk by.
They got me on the
front in 45
’cause I didn’t have the strength to stay alive.
You know I did the best I could.
Mama I was good and then I died.
Oh lord in 45.
“Tennessee” lulls you into a false sense of happiness as
the music plucks along. Lyrically, I interpret the song to be about what
was to be, but did not become. One of the lines in the song explains, “we had
dreams and plans, but they never came to fruition.” Such a song here is done
better than most, in my opinion.
“The Decline” finishes off the album. While it also contains
sadness, it has a “make the best of a bad situation” intent. It seems to
suggest that “shit’s going down, and I’m going down singin’ and dancing.’”
There is melancholy, but also not. The vocal delivery is really the highlight. As
the music builds, the vocals bring out a defiance and a “fuck you”
attitude. It has the attitude that if I’m going out, I’m going out on my own
terms. Brilliant!
If I’ve got to hit the
ground,
I guess I’ll try
to have a good time
in the decline….
This album is easily in my top 10. If you give it a listen
(and then a purchase it, because you will
want to purchase it), you’ll understand why. The songs get into your head, and
you won’t want them to leave.
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