About Us


There is a good chance you found us accidentally by using the word “taint” in your search (If you found us on purpose, you deserve our accolades). Of course, we don’t know what you were looking for, but you stumbled on a damn cool project. Look around; let us help send you on a musical journey. Here you will find a number of album reviews from the strange and extreme to the tame and mainstream. Our reviewers are a bunch of obsessive miscreants. Most of us are avid music collectors and have been involved in the music world for decades. A couple of us have been in or are still in bands.

There are no rules on Tickle Your Taint Blog. Our reviewers might make you laugh, or piss you off; both results are legitimate. One reviewer might write a glowing review of an album; another might tear it apart. We may have a new review every week, or we could end up with one every six months. This blog exists as a social experiment to build community among a diverse group of music maniacs – our reviewers and hopefully you.

Contributors include: Alec, Anita Papsmear, AntiChrist-iansen, Billy West, Beert, Cam Starke, Chastity Morgan, Class Warrior, Dale M, Dave, Dismal, El Jefe, Five-Inch Taint, Gory Zaver, Gusty Bellows, Hartman, HinckleyHadAVision, Ian, Infidel Cowboys (Lusk, Wyoming), Jack Rafferty, Jack Stephen, Jimmy “Explosive Diarrhea” B, Jon, Jonnie Dames Rio, Kloghole, Musical Odyssey, Null, PaulySure, Ratones, Scott, So Brick Eh?, SoDak, Spooner D, Taciturn Orator, TheNeonRooster, Travis, Vidal, and Wayne.

Thursday, November 5, 2026

Entrenched

By HinckleyHadAVision


red bricks come falling

and the ditch digger

with pick and shovel

trench dirt of the ancients

under these cobbles

with backs

callused in the sun

black beards

roiled in sweat

and they dig on

this line in the ground

every day

while the hungry

mouths of their

children are

hardly fed.

Wednesday, November 4, 2026

Tension of a Coiled Spring

By SoDak


Poised for action,
breaking the hand that feeds,
the master’s control falls,
denied,
domination.
Bruised knees amount to nothing,
groveling before the king,
hoping for a few scraps
thrown down through generations
of hierarchical submission.
Self is extinguished
as the king is raised
higher
on the bowed backs of faceless masses
by sucking blood
and giving sedation
through crumbs of bread and silver coins.
Pangs of hunger mingle
with yearnings for meaning
and justice
activating desperation
in the tension of a coiled spring,
love and rage are
suddenly
released.
Explosive nature of emotions
we never knew existed
the outstretched hand
breaks cleanly, easily,
once the power is there.

Monday, October 26, 2026

Ode to Eric

By Kloghole


And the whirlpool cries

with a tear in its eye

Me thinks I hear a

toot toot from yonder

poot poot!


Could it be 

a hairy Marxist hippie 

behind that tree?

By the smell, me guess

it could be three!


Just don’t drink his wine,

and all shall be fine.

Whiskey will do, well...

maybe two!


Saturday, October 3, 2026

Cronos Is Dead, Long Live Black Metal

By Kloghole


While in graduate school, I worked at a group home for brain-trauma injured folks. One day, one of the residents lost his cola privilege that morning. So, the guy I was working with grabs a coke, cracks it open in front of him, and then says, “Ahh, this is great. Don’t you wish you had one of these.” Not so surprisingly, the resident “had a behavior.” 

I made it through the first bit of the bible enough to get to the story of Adam and Eve. Everything is perfect, but god put some fucking fruit tree in the “garden” that they shouldn’t touch. Then tells Adam and Eve how fucking cool the fruit is (apparently satan lays it on thicker and heavier), but god also says you don’t want that shit. Unsurprisingly, Adam and Eve eat the fruit. We’re all fucked now because god didn’t know better than to leave the fucking fruit tree out of the garden. He is omniscient for christ’s sake.

So, there is no way in hell I would worship someone whose thought processes are no better than a fucking alcoholic with mental health problems who fucks with people in a group home.

By the way, I am not a satan worshiper or even remotely inclined to pray to any deity. However, if someone forced me to choose between the fucking asshole who created mosquitos, flesh eating bacteria, and butt cancer and the one who spends eternity torturing evil fuckers in hell, I think the choice is pretty fucking obvious.

The absurdity of organized religions is what makes the absurdity of Black Metal appealing. There is a bit of rebellion in that you are willing to listen to, or wear a t-shirt of, something that is associated with satanism, but it is really about the cheekiness of thumbing your nose at religion generally. 

I came to know Venom very late in the game. I was at Extreme Noise in Minneapolis flipping through the used bins. Whether I liked the album cover or SoDak handed it to me (which happens often), I cannot recall exactly how Black Metal ended up in my hands. When I played it, I got excited that a “new” band could be so fucking good. Then, I came to learn that they started in the 1980s, and I was crushed that I had missed out on them for so many years.


The screamed chorus, “Countess Bathory,” fucking rocks. Venom has very hooky chants and a leaden sound that pounds your soul. Because I had come earlier to stoner, sludge metal like Trouble, Venom sounded like a speed metal version of the dark, heavy grooves that I sought in the Mushroom River Band and others.

Obviously, “Black Metal” is a signature song, defining the genre. Some of my other favorite tunes are “Manitou,” “Live Like an Angel - Die Like a Devil,” “Welcome to Hell,” “Angel Dust,” and the ultimate track, “In League with Satan.” I cannot overstate the power of the rhythm section to drive the songs forward. They rumble, bounce, drone, and crush everything in their path. The choruses demand singing along: “Eviiiil in league with satan, Eviiiil in league with satan!” The drums (boom boom boom boom-boom) and bass / guitar (doom dada doom dada doom) are pounding along. I am not doing it justice, but it is a powerful riff and rhythm driving the whole song forward.

Over the years, I have come to understand how there are some people who see themselves as Adam and Eve. They feel vulnerable to “evil” influences from outside. At the end of the semester, I dress down for finals. One year I wore a shirt with a red pentagram of forks with the phrase, “Praise Seitan.” One of the students up front looked very concerned and asked me what the shirt meant. I told her seitan (I pronounce it “satan”) is a fake meat made from wheat. The tenseness in her face receded, and she said, “Oh.”

This is not limited to religion. I have students who, when learning new, more accurate information about how the world works, reject it. They exhibit a fear of the information as if by accepting some piece of information that disagrees with their previous stereotypes and ignorance, they may lose themselves to the spell of critical thought. Accepting that Columbus was a genocidal manic is a slippery slope to becoming an atheist, commie, transsexual. For these folks, confronting information that disagrees with their ignorant, small-minded worldview is terrifying to them - as if they are being tempted by the devil himself.

What they do not know is how utterly fucking terrifying it is to have the majority of people in society believe that some magical mystery man in the sky has any influence over their daily lives. How incredible it is to think that these folks base their actions on what they perceive as an invisible force in the ether would want them to do. For me, as an atheist, I have to live with the reality that the world’s major institutions are run by people who have the same intellectual maturity of a child who still believes in Santa Claus. What is so fucking hilarious about organized religion is that the behaviors associated with it are classified as psychosis. My guess is that the DSM somehow creates exceptions for religious practice, but the definition clearly includes talking to folks who aren’t there, listening to the advice of someone who is not there, etc.

Black Metal and the genres of “satanic” musical traditions tend to poke at these contradictions and terrifying realities of religious extremism. My guess is that some satanic references in music are less informed or serious than others, but remember that, as Slayer screams, “god hates us all.”

Satan is scary. He is meant to be a warning. However, I see the story a little differently. Given the reality that we live every day, an omniscient, omnipotent entity should be able to design a reality free of daily suffering. The natural world is full of pain, suffering, death, and horror. Anyone who believes in their heart of hearts that a divine entity willingly created such tragedy as an unavoidable fact of life has got some serious mental health problems. If they “blame” the misery on satan, they still forget the fact that their “god” is all powerful, e.g., is too fucking lazy or uncaring to do anything about it.

Venom and other death metal/satanic artists wallow in this misery, rub it in your face, and celebrate it. Metal generally is the release of the dark emotions that permeate us. Black Metal allows us to resonate for a while, get some shit out, and let shit go. While I never saw Venom live, metal shows used to leave me exhausted and invigorated at the same time.

I do not know much about Cronos or the history of Venom generally, but I am saddened that we lost this artist. We always lose potential for more music or that one new song that really hits home. I would say something about looking forward to seeing him in hell, but I think the world we are living in is the closest that anyone will come to hell. However, if I am wrong, Cronos, tell satan that I am coming for the punk-ass bitch who burned my brother and sister alive.

Sweet Dreams Motherfuckers.

Thursday, October 1, 2026

What I Love About the Black Hills

By HinckleyHadAVision


A friend asked, “Please tell me what you love about the Black Hills?” 

The moss in Botany Canyon, the ice in Ice Cave, the pale yellow light after a thunderstorm at Ranch-A, tiger lilies, kayaking Dark Canyon, ice skating Spring Creek, the strawberries on Flag Mountain, the sunset from Warren Peak that makes a Bighorns silhouette, really ripe chokecherries, the little piece of 1868 Treaty land my family is squatting on, catching trout with your bare hands, the smell of an old cabin, coyotes howling, getting stuck in the mud with Jerry Harp, skiing Custer Peak, watching the moon rise from Railroad Buttes, lady slipper orchids, rolling a four wheeler, building an ice block castle, the colored walls of Calico Canyon, the Rock Maze as a kid in the late 1970s before it was trashed, Inyan Kara, Ryan’s Wiggle, Vern Kraemer taking off, the French Creek Narrows, skinny dipping in Cold Brook Reservoir, Moon, the view while climbing Devils Tower in autumn, a nighttime walk along Castle Creek, the old switchbacks in Vanocker Canyon, ice walking, raspberries at the Bighorn Sheep Sanctuary in the rain, What the Hell Lake in Wind Cave, the eastern most extent of aspen, the western most extent of birch, a ponderosa too big to hug, inner tubing Boxelder Creek, ice skating the Cheyenne River, sneaking in and exploring Galena Mine as a kid, the boat inside the Alabaster Mine, the wind at Jasper Cave, a motorbike over the Piedmont Fire Trail, a mountain bike ride down Tinton Trail, a unicycle ride on the Bone Collector, the knife edge meander in Elk Creek, the early spring ice in Sunday Gulch, wild plums, a full moon paddle on Deerfield Lake, Classic Crack, hunting for morels, 11th Hour Gulch, fishing on Lower Spring Creek with Grandpa Brown, Six Mile Road, Ice Climbing at Community Caves, Cold Brook Canyon, friends around a fire, the Moonshine Gulch Saloon, climbing the Conn Diagonal, getting chased into the Cheyenne River by wild horses, driving a VW bus on Castle Peak Road, an inversion that leaves only the peaks above the fog, bicycling Spearfish Canyon, cliff jumping, cutting an ice hole and polar bearing Sheridan Lake, hearing a mountain lion scream, The Sheep Mountain Table slot canyons, in fact the entire South Unit of the Badlands…and more to come…


Monday, September 28, 2026

What Do You Want to Watch Tonight?

By Chastity Morgan


I recently saw Backrooms, Kane Parson’s directorial debut starring Chiwetel Ejofor (Clark) and Renate Reinsve (Dr. Mary). Backrooms is a psychological thriller set in the late 1990s. The main character, Clark, is an unfulfilled furniture store owner and divorcee who is working through his resentments with life with Dr. Mary. One night, Clark finds an invisible door in the basement wall of his furniture store. He embarks on an eerie journey through endless backrooms filled with stuff and distorted creatures that he refers to as “everything that once was.” Clark thinks of the space as “memories” that become distorted the longer they stay in the backrooms.

I couldn’t tell you exactly what Kane Parsons was thinking when he wrote a script about the vintage 1990s. Are backrooms where we hold our individual traumas? Is it the place in our minds where we recreate our memories, hoping that one day we will finally “just be okay” with the events of our past that continue to haunt us? Or are backrooms literal spaces where outdated materials like VCRs, floppy disks, answering machines, and Walkman’s are stored until some hipster finds them? I took a latter approach to the film. If you asked me what’s in my backrooms, I would say movies. I realize movies aren’t a thing of the past per se, but streaming has made the movie experience substantially different.

For as long as I can remember, movies have been at the center of my life. My earliest movie memory is of when my sister would babysit me, and I would get to watch a back-to-back screening of Howard the Duck and Pee Wee’s Great Adventure. Then on most Sundays, I would go to my grandparents’ house for our Sunday routine. My grandmother would drag my grandfather and me to church where he would fall sleep, and I would bite my nails until they bled. But I would slug through the homily because I knew I would be rewarded with a warm apple pie from McDonald’s and a movie. Most of the movies we saw were G or PG, until 2004 when my grandparents took me (their 20-year-old granddaughter) to see Meet the Fockers, which was much more risqué than the prequel Meet the Parents. I left the theater with a mortified grandmother who looked at me with the sweetest eyes and said, “I’m sorry I took you to such a dirty movie.” 

My father was less prudish about movies, that was until I got older. I didn’t think twice when he took 7-year-old me to see Point Break and made me close my eyes during the naked fight scene with Julia Michaels and Keanu Reeves. This all changed though on one fateful night when I came home from college for a visit and my mother was working a night game at the Giants AT&T Park (now Oracle). When she worked late, my father and I would rent a movie from Blockbuster. We went to the video store and perused the shop for what felt like forever. Finally, I said to him, “Hey, my friend said he watched a good movie called Sleeping Dogs Lie.” We went over to the Indy section and read the VHS case, “A woman has a dark secret that she discloses to her fiancé.” I mean, okay, how bad could the secret be? 

The opening scene of Sleeping Dogs Lie is of Amy (Melinda Page) spitting into a bathroom sink. The screen pans out to a dog rolling on his back, and Amy saying, “That’s right, I blew my dog.” I sat next to my dad in silence staring at the TV screen. I couldn’t even make eye contact with the guy. As I sat there listening to Amy talk about the size of her dog’s dick, I started giving myself a pep talk, “You’re 22 years old. You’re a mature adult. You can watch a sex scene in a movie with your dad without it being awkward.” Now when I was a teen my rebellious move was to run out of the room, but in my 20s it was to stay right where I was. Finally, my father paused the movie and said, “Go to your room.” I thankfully left as he finished the movie. When I asked him how it was, he said, “What kind of sick fucking friends do you have?” I immediately called Jeremy who recommended the movie. I told him about what happened. As he laughed, he said, “I didn’t think you were going to watch it with your dad. That’s disgusting.” 

Movies weren’t just a part of my family life; they bonded me and my friends. In high school, my friend Vanessa and I would reiterate movie lines to each other and guess the film. In college, I met Amy who I was roommates with until she graduated from Humboldt and moved away. We were connected at the hip. We walked to school together. During long breaks between classes, we would watch movies in the library cubbies that were equipped with a 14-inch screen and headphones. We especially loved the foreign films—Deepa Mehta’s films Fire, Water, and Earth and Pedro Almodovar’s, All About My Mother and Volver. Then we walked home together and made sure to stop by Spotlight Theater where we would chat with the movie clerks Nick and Steph who would guide us toward their favorite new releases. This was our 4-year routine, and I loved it.

Just last week, a judge allowed Paramount Skydance to acquire Warner Brothers Discovery. For those of you who may not know, the merger was initially stalled because of violations concerning antitrust laws. Just because the merger is allowed to go through, it is still problematic for bringing CNN and CBS under one corporate umbrella. But what is more frightening is what will happen to the movie theater. Apparently, Paramount has agreed to release at least 30 films a year in theaters for the next 5 years. I hope they follow through.

The movie experience is already so much more individual than it once was. I miss wandering through a movie rental store with 20 other strangers on a Friday night rather than sitting on my couch doomscrolling through the endless supply of movies, most of which I never even heard of. I miss watching a movie with 30 strangers and hearing the social commentary as I leave the theater. I miss the collective laughs, jump scares, and the crowd warning Sidney Prescott to go out the front door instead of running up the stairs. Most importantly, I don’t know if there’s enough space in my backrooms for movie theaters. It’s already cluttered with VCRs, VHSs, and DVDs (I never got into the Blue Ray craze).

If you’re looking for some good films and don’t want to waste your time wading through garbage, here’s some must see recent movies in no specific order:

Sirat (2025)
The Weight (2026)
Godzilla Minus One (2021)
28 Years Later: The Bone Temple (2026)
Friendship (2024)
The Power of the Dog (2021)
Obsession (2025)
The Brutalist (2024)
On Becoming a Guinea Fowl (2025)
Sing Sing (2024)