About Us


There is a good chance you found us accidentally by using the word “taint” in your search (If you found us on purpose, you deserve our accolades). Of course we don’t know what you were looking for, but you stumbled on a damn cool project. Look around; let us help send you on a musical journey. Here you will find a number of album reviews from the strange and extreme to the tame and mainstream. Our reviewers are a bunch of obsessive miscreants. Most of us are avid music collectors and have been involved in the music world for decades. A couple of us have been in or are still in bands.

There are no rules on Tickle Your Taint Blog. Our reviewers might make you laugh, or piss you off; both results are legitimate. One reviewer might write a glowing review of an album another might tear it apart. We may end up adopting a single review system, such as five stars, or each reviewer may use his own or none at all. We may have a new review every week or we could end up with one every six months. This blog exists as a social experiment to build community among a diverse group of music maniacs – our reviewers and hopefully you. Pull down your knickers, lube up and join us in tickling yours and our taints.


Friday, August 27, 2021

James McMurtry, The Horses and the Hounds (New West Records 2021)

by Kloghole

There is a deep and profound emotional exhaustion that haunts me, and unlike most, it is not the result of the current pandemic. I am struck, however, by how the new James McMurtry record captures this melancholy and psychic desperation.

I recently took an online stress test and scored 38 on depression and 40 on stress. I have tried all manner of techniques to try to alleviate some of the worst physical and mental effects of the more than decade-long trauma I have endured. This past week, I tried listening to the new McMurtry record in the same way I would devour a new CD when I was 22. To get to know an album intimately, I would just play it over and over and over, pouring over the lyric sheet. There are still songs that pop on my random player that I immediately know all the words.

It was different with McMurtry. Although I listened to the album repeatedly, I simply do not have the time to focus on the songs. I am answering emails or crafting classes. I rarely sit still unless glued to a computer monitor. Eventually, I did get to read all of the lyrics, but not as the song was playing.

What I was left with is the sense that his new album is good, but there are not those songs that grab me that I ache to hear when I am away from the record for a while. Sometimes, I feel, the mark of a really good album is the fact that it does not have one or two memorable songs and a host of forgettable ones. The Horses and the Hounds is a solid album throughout with a great deal of consistency. There are dark lyrical turns that tug at your heart strings and just enough ambiguity in the poetry to keep you unsure of the inspiration driving the story.


I am drawn to the crunchy hook of the title track. It is probably the closest to a song that rises above the engaging sanguine lilt of the rest of the album. He does keep a bit of space for his endearing sense of humor with the line, “I keep losin’ my glasses.” Since I have a pair of cheap cheaters in every room, I can totally relate.

I should really take my geriatric dogs out before I head to bed. They need their pot pills, and they will most likely wake me up in three or four hours having to pee or, the youngest’s favorite trick, nibbling on her poop and spreading it helter-skelter like someone shoved a firecracker in a turd.

I feel as though I have emotionally lost the ability to evaluate music even if I like it. I have played James over and over, and keep playing it, but I sense something missing. I am not sure if it is in me, or I am longing for the feelings I have from his earlier albums. There seems to be some resonance with his line from an earlier song, “I don’t want another drink. I just want the last one again.”

Because there have been few albums that have made me want to listen to them repeatedly lately, I am going to give The Horses and the Hounds three sweet sticky balls.

Sweet Dreams Motherfuckers!

Thursday, August 19, 2021

The Day Alice in Chains and Michael Jackson Met in My Ass

 By Null


Per the normal procedure, I had taken off all of my clothes, except for my polka-dotted socks, and put on the hospital gown, open in the back. I then slipped on my “COIVD masks,” which consisted of a surgical mask underneath a black-and-white cloth mask. After putting the loops over my ears and readjusting my eyeglasses, I laid down on the hospital bed, which contained a strategically placed “incontinence pad.” It was my big day, as I would soon be on my fiftieth trip around the sun. Thus, I had to get my first colonoscopy—the time-honored tradition wherein a person fasts for at least 24 hours before drinking a gallon of liquid magic that turns one’s anus into an angry water faucet, thereby completely emptying the colon so that the doctor can insert a camera in one’s large intestine to check things out. While I’ve never been called a tight-ass, and the pad was there for possible leakage, it thankfully was not needed. 


On this special day, I was in the surgery center, because even though one isn’t under the knife during a colonoscopy, an anesthesiologist is needed as one is put under for about 30 minutes, not all the way, but more like in the “date rape drug” kind of way—just below the surface.

At any rate, I digress.

Katie, the nurse attending me, walked into the curtained off section where I was waiting. We engaged in a bit of small talk, along with some questions and answers regarding the procedure. At one point, I asked her about her accent. “Is that a Southern accent?” 

Katie laughed and replied, “Yeah, I don’t know why. It just won’t go away. It’s Arkansas. I moved to Colorado 3 years ago.” She seemed a little embarrassed.

“Oh, there’s nothing wrong with it. I think it’s great.” Why does someone expect to lose their accent in 3 years, and why would they want to?

“There’s a lot of rain down there, and heat,” she said.

“And armadillos,” I said in my best Southern accent, pronouncing it “armadillas.”

We continued to chatter. I was already smitten with Katie. She was funny, wasn’t taken off guard by my off topic questions and comments, and, most importantly, she was very relaxed and chilled out. Considering that everyone in the hospital was wearing masks, I could only see her eyes, and they were pretty, kind, and sympathetic. I have no idea how old she was. As I get older, I find it almost impossible to guess the age of most people. I can recognize children and teenagers as such, as well as people in their 90s, but everyone between those age groups is a crap shoot. As a 49-year-old man, I continuously view people much younger than me as my peers.  It’s weird. They’re clearly not. Regardless, I’m gonna say Katie was in her late 30s, but I wanted to call her “mom.” I guess context is important.

“The anesthesiologist will be in to talk to you in a few minutes. We are going to put you under for about 30 minutes. They use Propofol,” Katie said, as she wheeled her chair over to hold my hand as she searched for a good vein for the IV. She continued, “It’s really great. It puts you to sleep in a matter of seconds and then you wake up really quick right afterwards.” She had a sparkle in her eye that made me question, just for a second, if she had a Propofol problem. I immediately discarded the thought from my mind; however, I quickly recalled how this sleeping drug killed Michael Jackson. I didn’t mention it, because, ya know, mentioning Michael Jackson is akin to opening a can of worms. Besides, I didn’t have time, as the anesthesiologist walked in and said, “Hummm, Alice in Chains. They didn’t even have masks back then.”

I had forgotten that I was wearing my Alice in Chains, Rainier Fog face mask that I had picked at the beginning of the pandemic. From a distance, it looks like a black and white air filter. The anesthesiologist gave me the rundown of the procedures, asked me about my medications, and mentioned he’d be using Propofol. Fuck it. “Isn’t that the drug that killed Michael Jackson?” I asked with a chuckle. 


He replied, “And that is why it should be administered in a hospital under the watchful eye of an anesthesiologist and not at home.” He nodded, smiled, and finished writing down a few notes. 

Having secured my IV, Katie squeezed my hand, looked at me from her chair, and in a compassionate voice, which betrayed any sense of irony, said, “Michael Jackson really needed to get some sleep.”

I refrained from laughing out loud due to her empathetic tone. I had to wonder if the consensus in Arkansas was that all of Michael Jackson’s problems boiled down to not getting enough sleep, or if this was just Katie’s summation. I looked at the anesthesiologist to see if this was also his take on the matter, but he had finished his paper work and left the room.

After the doctor entered the room and went over the procedure with me, it was time to get the job done. I was wheeled into the operating room. I was instructed to lie on my side. The lights were killed as to better view the monitor that would project the feature film that would star my colon.  The anesthesiologist put his hand on my shoulder and informed me that the he would administer the Propofol in a matter of moments. Suddenly I heard “Man in the Box,” the big hit from Alice in Chains’ first album crank out of speakers that seemed to be situated throughout the room. Is the doctor okay with this? He never mentioned my mask? Was this the anesthesiologist’s idea? It couldn’t be a coincidence.

I heard a voice say, “You’ll start to feel sleepy in a few seconds.” My fading thoughts were as follows: “These guys must be pretty cool. They’d be cooler if they played something from the new records. It’s no big deal. It’s just a colon exam. Put on some rocking tunes. Alice in Chains. Michael Jackson…needed sleep.”

I began to fade back into consciousness, aware that some time had passed. I was sleepy, but awake. The room was still dark. Am I supposed to be awake? Should I verbalize this thought? I noticed two things simultaneously. The first was that a well lubricated, slightly vibrating object was in my butt. It didn’t feel unpleasant. The second thing was that now a different song was playing from Alice in Chains’ third album. Still not the new stuff. It was a good song though. I can’t remember which one exactly. I only knew what album it was from. I felt really good vibrations. I mustered up the energy to speak, “I’m awake.” 

“I know.” 

I faded away again.

The next thing I knew, I was waking up in the original room I was in prior to the procedure. Katie was there. She said, “See, you wake right up afterwards.” It took me a few moments to collect my thoughts and realize she was talking about Propofol again. Michael Jackson definitely got some good sleep on that shit. It does the job. I felt like I had been sleeping for hours; I was well rested. After putting my clothes back on, the doctor came in to go over the results of the colonoscopy. When he finished he was about to walk away, when I stopped him.

I said, “Was it you that picked out the music.” He lost his air of authority and gave me a slightly embarrassed look. He said, “Yeah, did you like it? I try to play music for patients some times and I’m not sure if it….”

I interrupted him. “It was great. I appreciate it. Thanks.” 

A big smile appeared on his face and he looked relived, “You’re welcome.”

I was going to mention the new albums, but I decided to just go home knowing that, to some degree, he must have had a little music junkie in him too.