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There is a good chance you found us accidentally by using the word “taint” in your search (If you found us on purpose, you deserve our accolades). Of course we don’t know what you were looking for, but you stumbled on a damn cool project. Look around; let us help send you on a musical journey. Here you will find a number of album reviews from the strange and extreme to the tame and mainstream. Our reviewers are a bunch of obsessive miscreants. Most of us are avid music collectors and have been involved in the music world for decades. A couple of us have been in or are still in bands.

There are no rules on Tickle Your Taint Blog. Our reviewers might make you laugh, or piss you off; both results are legitimate. One reviewer might write a glowing review of an album another might tear it apart. We may end up adopting a single review system, such as five stars, or each reviewer may use his own or none at all. We may have a new review every week or we could end up with one every six months. This blog exists as a social experiment to build community among a diverse group of music maniacs – our reviewers and hopefully you. Pull down your knickers, lube up and join us in tickling yours and our taints.


Sunday, October 30, 2022

Mary McCaslin, The Best of Mary McCaslin: Things We Said Today (1992)

By SoDak


Thumbing through some records in the late 1980s, I stumbled across Prairie in the Sky by Mary McCaslin. I did not know anything about the singer, but the cover was intriguing. Falling somewhere between country and folk, the music was very calming, giving me a sense of comfort. McCaslin’s voice was gentle. It was both hopeful and plaintive; it was beautiful, yet haunting. This was especially the case with her cover of “Ghost Riders in the Sky.” Upon hearing “Prairie in the Sky,” I wept. To this day, I am incredibly moved every time I hear the song. It is filled with romantic images of riding a roan across the country, through the tall grasses on the plains. The inclusion of the French horn on this folk song is mesmerizing, adding an interesting emotional hook. The strings are very subtle and tender. 

In the 1990s, I was fortunate enough to see Mary McCaslin play a concert, with Eric Andersen, in Denver. This was shortly after her record Broken Promises was released. I sat in the dark captivated by her strumming and picking the guitar, while singing songs from her recent record, as well as most of those on Things We Said Today, a best of collection. The songs about friends, love, and broken hearts fit perfectly well with the outlaw and western tunes, which sometimes addressed concerns about pollution and urban sprawl. 

Over the last thirty years, my wife and I continue to listen to Things We Said Today. It used to be a regular listen, when we were playing cards. More often, we listen to it while on a road trip. The songs on this record are now woven with memories of driving through stands of giant trees on the way to trailheads in Sequoia National Park a couple years ago. We carried the songs, as Mary’s voice was echoing in our heads, as we hiked through the tall ferns under the giant sequoias, marveling at their beauty. On that day, it felt like we were dancing with the world.

McCaslin died October 2, 2022. I wish I would have seen her perform one more time, like when she played at the National Cowboy Poetry Gathering in Elko, Nevada. I should have made the drive to make it happen. I really wanted to hear her sing “Young Westley” and “Prairie in the Sky” again. Fortunately, she recorded a wonderful series of records that continue to resonate with me.