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Despite a suck pot of a year, I did manage to get to some great live shows. I found the live show experience even more special after the drought of the pandemic. Much like you, music kept me going through the tough times. Nevertheless, there is nothing like the rush of a great song. I still like the old fashion long play, and the art piece of how an entire CD is laid out. But time constraints had me focusing on individual tracks. My list is divided into favorite songs, favorite CDs, and a few random categories. Here’s what I have been listening to this year. As always, everything on this list has made or exceeded 5 smears.
Rating System:
5 Smears = the best, most perfect offering a band/artist can do—it’s downright malignant
4 Smears = almost perfect, pretty sure it’s malignant
3 Smears = middle of the road—not bad, not awesome—it’s a biopsy moment
2 Smears = you best change your diet and exercise right quick
1 Smear = benign—no good
Favorite Songs of 2022:
The Bobby Lees, “Monkey Mind.”
So fucking catchy it will make your inner child scream with delight. Here’s the live version.
Kelley Stoltz, “Your Name Escapes Me.”
Jangle pop at its finest—just a perfect gem of a song!
Ambar Lucid, “Get Lost in the Music.”
2021 OMG! This song! Magic Mushrooms! Do you need to know anything else? Pass the bag and let’s take a trip to the 1960’s and dance!
NoSo, “Honey Understand.”
Biggest earworm. I think I sang it for months.
Yves Tumor, “God Is a Circle.”
Super cool band and a disturbing video to a great song. You can thank me later.
Oliver Sim, “Romance with a Memory.”
A member of The XX on his solo release. Best song—so catchy!
U.S. Girls, “So Typically Now.”
Catchy mover with multiple musical influences going on.
Dope Lemon, aka Angus Stone.
Released fifth studio album, Rose Pink Cadillac. Some warm, 1970s inspired tunes to puff and sip, most notably: “High Rollin’” and “Kids Fallin’ in Love” Groovy, man!
Goat, “Do the Dance.”
Fuck I love this band. Hailing from Sweden, they are a perfect mix of tribal and experimental.
Confidence Man, “What I Like” and “Luvin’ You Is Easy.”
Both cuts from Tilt. A couple easy head boppers that will have you calling your chiropractor.
Boy Harsher, “Autonomy,” “Give Me a Reason,” and “Machina.”
I love me some Boy Harsher. Formed in Georgia, now based in Massachusetts. Tracks brimming with Augustus Muller’s dark synth rhythms and Jae Matthews sultry, effortless vocals. It’s a mesmerizing mix.
Spoon.
Such a consistently great band. Lots of great tracks on Lucifer on the Sofa, but my favorite is their cover of Smog’s “Held.” The lyrics humble me:
For the first time in my life I let myself be held Like a big old baby
I surrender to your charity
I lay back in the tall grass and let the ants cover me
I let the jets fly not wishing for their destruction
Born to black in a perfect blue sky
For the first time in my life I am moving away, moving away, moving away
From within the reach of me and all the wild being held
Like a big old baby.
Krakow Loves Adana, “All My Life.”
From 2021’s Follow the Voice. The subtlety of this song is the thing I find most striking. With every listen, it pulls the ear in further until the melody haunts your head. Formed in Germany in 2006, they have a unique yet familiar sound. Really looking forward to further music from these fine musicians.
Florence and the Machine, “My Love.”
From Dance Fever. Another great track from a goddess.
Sasami, “Call Me Home.”
Gorgeous song from Los Angeles native, Sasami, is consistently impressive. The CD cover art is cool too.
Jockstrap, “Greatest Hits.”
Cool track from London duo who met while in music school. Beautifully executed and great production, it’s dreamy, interesting and captivating.
Oceanator, “The Last Summer.”
A catchy summer anthem—nice!
Gorillaz, “Cracker Island” (w/Thundercat) and “New Gold” (w/Tame Impala).
Two great singles in 2022. Lucky me! It was my second time getting to see this amazing, must see band. So. Fucking. Good. The Gorillaz started as a virtual-only band, created by visual artist Jamie Hewlett and musical god Damon Albarn (Blur). The real band is nothing short of spectacular. The live show is an extravaganza of numerous musical guests, percussionists, back-up singers, instrumentalists, Damon himself and giant screens featuring Jamie Hewlett’s infamous cartoon characters and artwork. A band based on a cartoon, a cartoon based on a band. Genius. Arguably the best band around. Don’t believe me? Check out their recent immersive experience in Times Square—no other band is doing this (well…maybe BTS).
Just Mustard, “Still.”
Shoegazey goodness from latest CD, Heart Under.
Health Disco 4.
Some special guests assisting with these fab tracks: “Dead Flowers” (featuring Poppy) and “Isn’t Everyone” (featuring NIN).
Robert Levon Been, “Adore.”
Robert is from Black Rebel Motorcycle Club. The track is off The Card Counter soundtrack. Just a beautiful song here. Looking forward to more music from the band as well!
Favorite CDs of 2022:
The Bobby Lees, Bellevue.
From Woodstock, New York, this band is garage rock in all the best ways. Bellevue is a masterpiece of raucous goodness. “Monkey Mind” is my favorite song, but “Dig Your Hips,” “Ma Likes to Drink,” “Hollywood Junkyard,” and “Geta Van Fake” will do just fine.
Nina Hagen, Unity.
The goddess has something to say and she must be heard! “Shadrach” is a monumental beatgasm—so fucking catchy! The anthemic songs, “United Women of the World” to “Venusfliegenfalle” to “Open My Heart,” are multiple musical gems here. She also covers “16 Tons” made most famous by Tennessee Ernie Ford.
Wet Leg, Wet Leg.
Who isn’t in love with this band? They are fresh, honest, and fun. I was supposed to see them in Denver this summer, but the band pulled out of the show the night before. Bummer. There’s not a bad track on this CD. My favorites include: “Ur Mom,” “Oh No,” “Too Late Now,” and, of course, “Chaise Longue.”
Yeah Yeah Yeahs, Cool It Down.
Another great album in a long line of great albums. Songs like “Different Today,” “Fleez,” “Wolf,” and the duet with Perfume Genius on “Spitting Of The Edge Of The World” cement Karen O. and the band as rock royalty.
Cannons, Fever Dream.
Fresh off the success of “Fire for You,” Fever Dream is filled with warm, luscious pop songs that seep in and float you through the day. I knew their latest CD was doing fine when I heard the song “Ruthless” while at the grocery store. They are a great live band too. Michelle Joy is mesmerizing on stage and all will be cast under her spell. The harmony among the band is palpable. Ms. Joy, guitarist Ryan Clapham, and drummer Paul Davis aren’t new to the scene. This band has put in the work since 2013 and are now reaping the rewards of their hard work. They sound like summer. Favorite tracks include: “Come Alive,” “Ruthless,” and “Tunnel Of You.” They also put out a CD of covers in 2021, Covers By Cannons, which has some real gems like a cover of Harry Styles’s “Golden,” Bruce Springsteen’s “Dancin’ in the Dark,” and, my personal favorite, Kings Of Leon’s “Sex Is on Fire.” This band should be all over your playlist!
Bevin Luna, Madison & Angelus.
Named for a colorful intersection in her Memphis neighborhood, this 5 song EP is a rock delight. There’s an amazing cover of Madson Jones’s “A Little Arson Never Hurt Anyone” and “Bob & “Masquerade” are great rockers. Of note, “Mary Lou” (Young Jessie cover) is super catchy and the anthem of the season is Bevin’s sweet ditty “Summer” that brings it all to a close. Super lucky to have seen Bevin perform the EP live a couple times over 2022. My only complaint would be that 5 songs are just not enough. Love that artwork too by the incomparable @randyhand
Viagra Boys, Cave World.
I have to admit, I resisted liking them for a while. I mean, and I am being judgmental here, but, Viagra Boys? Really? The songs just pulled me in. These aren’t just some silly white boy sex slave wannabees. They have serious musical and songwriting chops. Look no further for the proof than on songs like, “The Cognitive Trade-Off Hypothesis,” “Troglodyte,” “Punk Rock Loser,” and 2018’s uber-catchy “Sports.”
The Black Angels, Wilderness of Mirrors.
This band always makes my list. There’s something about them that really resonates with me. My favorites on this new CD are “Empires Falling” (amazing lyrics), “A Walk on the Outside,” “Without a Trace,” and “El Jardin.”
Beth Orton, Weather Alive.
I finally got a chance to see Beth Orton perform this year. To see her live is like spotting a rare animal. She doesn’t appear often or release a ton of material, but when she does, it is special. Her live show was gentle, peaceful, and enchanting. I couldn’t take my eyes off of her. Her new release, Weather Alive, is akin to a warm, winter chill. It has a little of everything all at once. Catch the vibe on songs like “Lonely,” “Arms around a Memory,” and the title track. “Fractals” is catchy and moves in all the right ways.
Blood Red Shoes, Ghosts on Tape.
Saw this band live this year after being in love with them for so long. This mighty duo ripped it up! “Morbid Fascination” is my favorite cut. From the NIN inspired “Comply” to the sonic “Dig A Hole” to the pop of “Murder Me,” this band proves that they can do it all.
Father John Misty, Chloe & The Next 21st Century.
Misty is one of the finest songwriters of our time. I love the turn he takes on “Chloe.” So many inspirations here: 1920s melodies, samba, even a little muzak—woven together so well. Still, the material is true to what we have come to love about Father John Misty and his methodical musical stories.
Warpaint, Radiate Like This.
With songs like, “Champion,” “Stevie,” and “Hard To Tell You,” you can’t miss with this band. They’re like a favorite shirt. By far their most accessible release yet.
Unloved, The Pink Album.
This band never disappoints. Some great songwriting and catchy melodies on “Mother’s Been A Bad Girl,” “Turn of the Screw,” and “Number in My Phone.”
Dry Cleaning, Stumpwork.
Gross CD cover, but the gems contained inside are post-punk at its finest. Hailing from South London, this band has been together since 2017. At times sparse, the mostly spoken vocals pair nicely with the songwriting. Super cool CD, super cool band.
Bob Moses, The Silence In Between.
Solid indie-pop release with a nice mix of dance tracks and more pensive creepers. “Rush” and the Tears for Fears’s inspired “Broken Belief” stand out.
2022 Live Shows That Anita Enjoyed:
Dhakabraka.
This band is from the Ukraine and are equivalent to a Ukrainian Dead Can Dance. Seek out the live show. Dressed in traditional Ukrainian garments, their voices are the instruments. Folklore, cool visuals, and some anti-Russian sentiment (mostly from the crowd)—just an amazing night.
Pack A.D.
I have said it before and I am going to say it again, The Pack A.D. is one of the best bands around. I finally had the pleasure of seeing this duo at a small club in Denver this summer. Just mind blowing. Becky Black’s vocals can change effortlessly from track to track, allowing them to be multiple bands in one. It’s so cool. I have a girl crush on drummer Maya Miller. She is not only a talented drummer but her banter after most every song was funny, welcoming, and refreshing. Buy the ticket, get the CDs and don the t-shirt. Then, get ready to be the coolest kid on the block.
Itchy-O.
Go to their Black Mass and get indoctrinated to one of the coolest, most memorable live shows of our time. Then, call me and let’s talk because you may need to process this with an experienced veteran.
Chameleons.
So very lucky to get to see Mark Burgess/Chameleons this summer in a friend’s backyard. Less than 100 people there—such a cool night. Mark and his guitarist were fantastic.
Marc Maron.
He’s on my list, as he is a stand-up comic and musician (“Boomer lives!)” also, if you haven’t caught his stand-up—you are missing one of the finest humorists and storytellers of our generation.
Also saw Jesus & Mary Chain, Flaming Lips, Tribute to The Clash (featuring fantastic Colorado bands), Night Club, Bevin Luna, and Actors.
Late to the Party/Late Discoveries:
New Candys, Vyvyd (2021).
I love this band and am late discovering them. It happens. They have that dark, brooding sound with sexual tensons underneath—all my favorite sounds. Ten great songs of varying shades of delicious and shimmering darkness. Of note: “Evil Evil,” “Vyvyan Rising,” “The Clockmaker,” and “Twin Mime.”
Dua Lipa, “Levitating” (2020).
I had to give in to the power of the Lipa!
Bob Lee, “Wanted for Questioning.”
Super fun song from 1957.
Hard to Finds Found (thanks to DJ Mike who found these for me):
Gregory’s Funhouse, Obey (1988).
I have looked for this CD for over twenty-five years. This is a one-of-a-kind band that only released a couple full length records. There are many great songs on this CD, but “From the Front” is by far the stand out, full of naughty sentiments. Frontman, Gregory Ambrose Pittman, has a most unique voice and delivery. This band should have been big.
Torch Song, “Can’t Find My Way Home” (William Orbit Mix).
Many Happy Returns (So happy to hear from these bands again):
Midnight Oil, Resist.
A strong release all around. Lyrically poignant and important. Thanks to Null for getting this to me! Add this release to your collection #imwithmidnightoil.
Tears for Fears, The Tipping Point.
The masters return.
The Godfathers, Alpha Beta Gamma Delta.
I had the pleasure of seeing this band perform live in the mid 1980s. They were fantastic. Fast forward to 2022, there is an entirely new backing band. Founding member and vocalist, Peter Coyne, is the only original member, and he’s back with his infamous growl, proving he can still deliver on the rock and or roll! Check out: “OCD,” “I Hate the 21st Century,” “You Gotta Wait,” and “Bring on the Sunshine.”
William Orbit, The Painter.
Nothing here but quality aural pleasure. Would you expect anything less from Mr. Orbit? There are a couple tracks with Beth Orton as well as other vocal guests. If you like chillout, this CD is for you.
Future Is Bright:
Jenny Lee, Heart Tax.
Some super cool tunes here. Her voice has a smooth, subtle, sultry finish. “Tickles” is my favorite. She teams up with Depeche Mode’s Dave Gahan on “Stop Speaking.”
Lunar Twin, Aurora.
Uber excited for any new music from this duo. The two sneak peek tracks that have been release so far are luscious, thick, and lovely, as per usual. It the too short, “Beyond the Sun,” and the lyrically relevant “Android Dreams,” are any indication, I am reserving Aurora a place on my Best of 2023 list.
Donna Blue, Dark Roses.
Netherlands duo with a moody, Lynchian CD that transports you into a 1960s spy film. Fabulous with a very dirty martini or two. Check out “Solitaire,” “Rouge,” and “The Idea.”
Check them out on their YouTube channel. They typically do remakes in their own otherworldly style that would be happiest living in a Tim Burton movie. Check out their redo of “Bad Moon Rising,” “Don’t Fear the Reaper,” “Sally’s Song.” and more. There’s even a doll-making tutorial for your viewing pleasure.
Hatis Noit, Aura.
Chilling vocal work; tribal, meditative, cool.
Songs for Ukraine:
There have been many songs written in support of the Ukraine. Of note are these three songs:
Clan of Xymox, “Save Our Souls.”
Gogobordello, “Take Only What You Can Carry” and “Shot Of Solidaritine.”
Pink Floyd with Andriy Khlyvnyuk “Hey Hey Rise Up.”
The most significant moments in my musical life this year were the addition of a functional, decent record player and my new We Are Rewind portable cassette player. It has been great to finally spend time with some of my old LPs and to acquire some new ones. Also, I spend most nights in bed listening to cassettes as I fall asleep. It’s as if the new millennium never happened.
The first four albums on this list share a theme and continuity: the passage of time and getting older. I don’t think this is a coincidence, as I turned 50 years old this year. These records are how I feel, in general, as of late. As my dad would say, with a hint of sarcasm and resignation, “Good luck in the future.”
Brain Fallon, Local Honey (Lesser Known, 2020).
SoDak, another writer for this site, turned me on to this album. It appeared on his year-end list two years in a row. I would write a few words about it, but just thinking about this short, 8-song record, makes me want to burst into tears. Longing, life, loss, love—it’s all here.
“Part of me stays in the room where we met.”
Local Honey is perfection whispered.
Fleet Foxes, Shore (Anti-, 2020).
Shore was the first Fleet Foxes record I heard. I knew they were a popular indie band in the last decade or so, but I couldn’t name one song. I went in with virgin ears and found a record I really needed to hear. It felt soothing and healing. I listened to it exclusively for several weeks.
I could dress as Arthur Lee
Scrape my shoes the right way
Maybe read Ulysses
But it’s a young man’s game.
Bruce Springsteen, Letter to You (Columbia, 2020).
Of my top five Springsteen albums, only two were made with the E Street Band. Letter to You is one of the two. The band has contained its bombast in order to fill these killer songs with texture and emotion. Springsteen was inspired to make this record after the death of his old friend, which resulted in the fact that he is the last living member of his first band, The Castiles. He looks back with sadness and celebration. It’s the best full band record since Darkness on the Edge of Town (1978).
Well sons they search for fathers
But the fathers are all gone
The lost souls search for saviors
But saviors don’t last long.
Letter to You is a masterwork.
The War on Drugs, I Don’t Live There Anymore (Atlantic, 2021).
Here is yet another cohesive album that stuck to my ribs this year. I Don’t Live There Anymore seeps into one’s consciousness as a ghostly faded memory. The effect is otherworldly, and one of fading away or letting go. Somehow this album mixes familiar classic rock tropes via Dylan into a contemporary 1980s retro dream.
There’s a rain protecting me
Rings around my father’s eyes
Light above the morning sea
Into darkness, I will reach
Fall into the ocean deep
Just to bring you back.
Lili Refrain, Mana (Subsound, 2022).
I stumbled upon Lili Refrain one day and was blown away by her latest album. She is an Italian artist who mostly works alone; she sings, plays guitar, drums, keyboards, and works with loops. She could easily share a bill with the mighty Dead Can Dance. Her music seems to come from the center of the earth. Mana is a beautiful and dark meditation of doom blossoming.
This album is stunning.
HDQ, Sinking (Positive Records, 1989).
The only reason I even know this band exists is because SoDak recorded it onto a cassette tape decades ago and passed it on to me this year thinking I would like it. He wasn’t wrong. I instantly fell in love with this great punk rock band from the United Kingdom. The only problem is that the record is out of print and really difficult to get a hold of for a decent price.
Though punk rock saved my life, it is rare for me to discover a new (to me) punk rock band that I am instantly crazy about. I hope to pick up some of their records this year. Until then, I will rewind the tape and hope the player doesn’t eat it.
HDQ—punk rock: the way no god or masters intended.
Engelbert Humperdinck (in general)
My grandmother used to listen to Engelbert Humperdinck. He has been described as “one of the finest middle-of-the-road balladeers around.” Something about this quote made me love him. I started listening to the album my grandmother used to play a lot, Release Me, from 1967. It’s fascinating to hear the backing band, strings, and extreme panning on the early records. It was another time.
I then bought a box set with all of his Decca releases. I’ll probably never listen to them all, which I’ve come to terms with. I then bought a shirt from his website that says, “When you’re Engelbert Humperdinck, every day is a hump day,” with a picture of an 80-year old Humperdinck behind the lettering.
I then bought a newer record, The Man I Want to Be, which he dedicated to his wife. She had been suffering from Alzheimer’s for a decade and he was her caretaker. She died in 2021.
Humperdinck has been consistently touring and making albums for decades. He just keeps going. At 86, the guy must still love what he is doing. He even does little shows on Youtube from his house. He is a romantic cheese-ball that could work the senior center circuit.
There is some defiance in his unwillingness to stop. Love him or hate him, I don’t think he cares.
Kudos to you, Engelbert.
Fuck’em.
Dead Moon, all the Dead Moon records on vinyl and the Dead Moon Book.
Everybody knows that Dead Moon is best experienced on vinyl. Given that I finally have a functioning record player, I proceeded to get all the Dead Moon, Pierced Arrows, Rats, and other Fred Cole releases on vinyl. I think I’m only missing one Dead Moon record. Fuck yeah.
I was also able to acquire the infamous Dead Moon Book from Germany where a second printing took place. It comes with a 2 LP vinyl compilation. The book is awesome. I’m always digging in the Cole mine.
Various Artists, Life Moves Pretty Fast: The John Hughes Mixtapes (Demon, 2022).
This is a great compilation of four CDs that function as “mixed tapes.” There is a lot of diversity in this set. It has a lot of 1980s type stuff on it, but it also contains many deep tracks and old school soul and big band. It truly lives up to its name. Like any great mixed tape (cassette, for the kids), you’re never quite sure what is coming next, but it all seems to fit together somehow.
Various Artists, Heroes & Villains: The Sound of Los Angeles 1965-68 (Grapefruit, 2022).
The title says it all. This three CD set is filled with rare and even unreleased stuff. There are too many hidden gems in this box set to even begin to count. Check out this little ditty. It is one of many examples. Is it the infancy of punk rock? So damn good.
Temple of Void, Summoning the Slayer (Relapse, 2022).
Temple of Void is from Michigan and they still have day jobs. Despite the daily grind, they have made a string of unique “doom/death” metal records that few bands could hold a candle to. On their fourth album, Summoning the Slayer, they continue to stretch out and expand their sound. This album contains acoustic guitars, clean vocals, and vast expanses that result in a mudslide of beauty. It would appear that Temple of Void cares little for the outside world, as they create an alternative universe that engulfs the listener. Even the growling vocals fit into the mix in a soothing way. This band always takes the listener on a journey; the destination is irrelevant. This band is endlessly fascinating.
Olivia Newton-John, If Not for You (Deluxe Edition) (Primary Wave, 2022).
I listened to this album over and over again this year. It is a two disc set. The first disc is the original 1971 album remastered, while the second disc is full of singles, B-sides, alternative versions, and even contains several tracks form the band Tomorrow. If Not for You was her debut album.
It seemed fitting somehow that as I was familiarizing myself with the album that began her musical career while her real/personal life was ending. She died in August of this year. The 12 year old in me finds this incomprehensible.
The Spacelords are a German three-piece instrumental psychedelic rock band with many albums. I happened upon this album by chance. I’m happy I did. Spaceflowers only contains three songs; one song clocks it at 24 minutes. They aren’t in hurry. Though the listener will inevitably get lost on this journey, the comforting hand and pulse of The Spacelords lends an overall calming effect on the psyche.
I’m not sure how many times I have seen Son Volt, but they are always great. It always feels like going home.
Documentary:
Dio: Dreamers Never Die (2022).
I saw this as part of the limited run in the theater with friends. It was really fun. Following the main documentary, we saw some extra outtakes. I hope they release these outtakes on the DVD version.
Music related stuff:
We Are Rewind portable cassette player.
No one makes a good cassette player anymore. Sometimes you can get a good old solid state one by a reputable brand, but the best “portable boombox” option is made by Sony and it pales in comparison to what they used to make. It also looks stupid. I have several.
A group of people in France put their heads together and attempted to make a decent, high-quality portable cassette player, think Sony’s Walkman.
I gave these cats 100 bucks at the beginning of the pandemic, and after going through many prototypes, the final version of the cassette player was finalized and manufactured. I received mine a few weeks ago. It is built like a tank.
I love it.
It isn’t quite up to the quality of the original Walkmen, but it is well built. It is not made of plastic. It does have some background noise and some wobble. I only hope the wobble is improved in a future version.
Yes, cassettes suck, I know. However, it is one of many fetishes I enjoy. My life is not practical. I reject the digital world.
Record Player.
My lover of 28 years bought me a decent and functional record player for my birthday last year. I have had a lot of fun listening to my old vinyl records and picking up some new ones. Everybody needs to slow the fuck down.
The year, for the most part, was filled with music. I was constantly trying to keep up with new releases, exploring older music, and focusing on listening to all boxsets that I had picked up over the last couple of years. I was able to enjoy quite a few concerts with friends, including Five-Inch Taint, Null, PaulySure, and Spooner D. Below, I provide a list, in no particular order, of the music that really captured my attention this year.
Margo Cilker plays a nice blend of country-folk music. “That River” is an excellent opening song, starting with the words, “that river in the winter, it can fuck me up.” My favorite song is “Barbed Wire (Belly Crawl).” The combination of the swirling vibe in the music with Margo’s voice is perfect. My wife and I have listened to this song hundreds of times. This past summer, we were able to see Margo and her band play in a small bar in Boise, Idaho. Outstanding performance.
40 Watt Sun, Perfect Light (2022).
I am thrilled that there was a new 40 Watt Sun record. It is filled with immense beauty. Super slow, big sounding songs with a gentle, yet aching, vocal delivery. Turn off the lights, turn the volume up, lay on the floor, and just feel these songs wash over you. Easily one of my favorite records this year.
The Twilight Sad, Nobody Wants to Be Here and Nobody Wants to Leave (2014).
Finally tracked down a copy of this record, as it was the only record that I did not have by The Twilight Sad. This record gives me chills every time that I listen to it. It is haunting, especially as the dark tones on the guitar mix with the vocals. When I walk around the neighborhood at night, I feel these songs in the shadows, waiting to envelope me. I have seen some live footage of the guitarist and vocalist playing, offering stripped down versions of the songs. Fucking amazing as well.
Praise, Leave It Behind (2016) and All in a Dream (2022).
I love the resurgence of excellent hardcore punk rock. Praise is addictive with their melodic elements, beckoning back to the sound of late 1980s and early 1990s Washington DC bands. I hope that I get to see them perform before too long.
Temple of Void, Summoning the Slayer (2022).
Null and I intend to write a review of this record. This is my favorite Temple of Void record yet. I am loving how much they have slowed down the heavy doom riffage, adding even more melodic elements within their songs.
Elder, Innate Passage (2022).
Elder continues their quest for writing even more perfect prog records. Outstanding rhythms, spiraling guitar riffs, and dreamy sequences.
Joy Oladokun, In Defense of My Own Happiness (Complete) (2021).
Should have picked this up last year. Guess, it is never too late. Joy incorporates folk, pop, R&B, and rock in these songs. Most songs have a wonderful singer-songwriter vibe. Other songs have programmed beats that fortunately are not distracting. Poignant personal and political lyrics.
Voivod, Synchro Anarchy (2022).
Fucking love Voivod. They continue their reinvigorated streak of top-notch records, capturing their unique style of prog-metal.
Arlo McKinley, This Mess We’re In (2022).
Like his previous release, this is a brilliant record. Arlo’s voice is rich and warm. Listen to “Stealing Dark from the Night Sky.” At times, there are elements reminiscent of Ryan Adams when he was at his best. Arlo’s show in Salt Lake City was stunning.
Spell, Tragic Magic (2022).
Every time that Spell releases a new record, I get so excited to hear how they continue to develop their sound. They still retain the heavy riffs, but the dreamy textures are more prominent. The vocals are quite melodic and clean. My wife remarked that the choruses on several songs are similar to Ghost, as far as the layers and harmonies.
Sumerlands, Dreamkiller (2022).
Moody, classic, straightforward heavy metal. Sumerlands recruited a new singer for this record. Like the previous album, this one is filled with epic songs.
Chris Squire, Fish Out of Water (1975).
Fucking hell, this is incredible. It could have easily been a Yes record. Chris Squire has become one of my favorite bass players. He sounds fucking great as usual. This record also made me realize how his background vocals are a crucial part of the sound on Yes records. Brilliant record. Wish I had learned about it many decades ago.
Alcest, Shelter (2014).
The last few years I have been playing catch up in regard to Alcest. I bounce between their black metal and their shoegaze records, depending on which one I buy. I continue to marvel at how incredible their record Spiritual Instinct is and regularly listen to “Sapphire.” This year, I picked up Shelter. I was not expecting to hear such a lush, dreamy, poppy record. It sits well next to albums by Sigur Ros.
Coffin Rites, Human Erase (2021).
This metal record will rip your face off, as it is fucking intense, relentless, and brutal. The singer’s vocals are truly impressive. It sounds like there are different people singing the various parts in songs. Nope. It is just one person.
Freewill, All This Time (2021).
I was excited when Freewill regrouped. They were a short-lived melodic hardcore band in the late 1980s. I treasured their demo tape. In 2020, their unreleased record was finally put out. While they no longer have the original vocalist, they have maintained their catchiness, mixing influences such as Dag Nasty with California hardcore.
Steve Von Till, No Wilderness Deep Enough (2020).
A stunning mix of beauty and darkness, on this mournful, ambient record. Steve’s voice is both gruff and tender, as the music swirls. Close your eyes, you may feel yourself slowly sinking into the earth.
Lindsey Buckingham, Gift of Screws (2008).
Listening to a Lindsey Buckingham record can be a strange experience. His talent is clear, but he can be super quirky. Pop songs reside next to fucked-up sounds. The way his voice mirrors his guitar tone fascinates me. In many ways, I think his Gift of Screws is one of his more cohesive records.
Shane Smith and the Saints, Germino (2019).
Shane Smith has been getting a lot of attention the last couple of years. The band does tear it up. I am obsessed with their song “All I See Is You.” On each of their records, they are putting out very good country music. The only downside is the God shit that is present. But, fuck me, they have some good songs.
Loney Hutchins, Buried Loot: Demos from the House of Cash and Outlaw Era 73-78 (2021).
Buried Loot is right. These demos are a treasure. There is quite a mix of songs on this collection, with singer-songwriter folk music, a mix of folk and country, country rock, and good story songs, including how coal companies create misery for working people. Great voice.
Be Well, Hello Sun (2022).
The Weight and the Cost from 2020 was a phenomenal hardcore record. This follow-up EP is strong, even if not as spectacular as the previous album. The fast, intense songs alternate with the more melodic songs, back and forth for six songs. Am hoping that this band stays around for quite some time.
Police and Thieves, Amor Y Guerra (2008).
This record is incredible. The 1980s Dischord influence is strong, but it feels fresh in various ways. I love the mix of Rites of Spring and Dag Nasty. I bought this before Praise, and only later realized that there is a connection between the bands. PaulySure needs to buy this record.
Lost Avenue, Fears (2018).
Lost Avenue, from Northern Ireland, are a punk rock outfit with slightly gritty vocals. Good catchy record.
Horrendous, Idol (2018).
Engaging death metal with progressive flourishes. Wonderful.
The Felice Brothers, From Dreams to Dust (2021).
The Felice Brothers continue to put out quality Americana records. They have crafted a distinctive sound that is laid back, while a plethora of words fill the songs.
Deafheaven, Infinite Granite (2021).
Took me a while to get around to this big album from last year. Infinite Granite sounds big. Compared to previous records, it has a stronger shoegaze influence, with textured, layered guitar parts. Good album to put on in order to get lost.
Brutus, Nest (2019).
Null introduced me to Brutus, sending me a live video of the song “War.” Brutus, from Belgium, play loud brooding music. They stretch out songs, with captivating vocals by Stefanie, the drummer. Her voice is powerful, like how Sinead O’Connor’s voice can capture your attention. Then, Brutus will kick into a pummeling assault that mixes punk with post-hardcore.
Eldovar, A Story of Darkness and Lift (2021).
Elder and Kadavar joined forces on this record. All the dreamy, ethereal elements of Elder are present mixed with some of the added punch of Kadavar. Great blend between these constantly evolving bands.
Elliott Peck, Further from the Storm (2018).
Good quality, mellow country music, with strumming guitars. Elliott Peck has a nice voice that is comforting.
Bonnie Light Horseman, Bonnie Light Horseman (2020) and Rolling Golden Holy (2022).
Null told me about this band, which is a collection of “cool,” hip folks. Mellow songs, with good vocals.
Kendell Marvel, Solid Gold Sounds (2019).
On the cover, Kendall looks like he is kind of a bad ass. It is a little humorous. He is a songwriter, who has penned many songs for various country artists. The songs cover a wide variety of styles within this genre. Solid record.
Calling All Captains, Slowly Getting Better (2021).
From Canada, Calling All Captains are an excellent melodic hardcore band with poppy-hook sensibilities. Every now and then, they incorporate more post-hardcore elements.
Benjamin Tod, A Heart of Gold Is Hard to Find (2019).
Great record. Sparse recording—a guitar and voice. Confessional songs.
Maailmanloppu, Enaa Kivaarit Laulaa (2016).
Finish hardcore. Their sound should be clear just by noting this. Interesting enough, they incorporate some post-hardcore elements on some songs.
Somerset Thrower, Paint My Memory (2020).
Melancholic, melodic, contemplative hardcore.
Anxious, Little Green House (2022).
Super catchy, melodic punk rock, with lots of pop elements. Good energy.
Nuisance, Confusion Hill (remixed and remastered) (2021).
Nuisance’s 1991 Confusion Hill was remixed and remastered on this special pressing. I always loved this record with its hippy punk rock feel. The songs did sound much bigger and powerful whenever they played them live. With this reissue, the songs are much punchier. Since getting this record, my love of the record has been renewed.
Kieran Kane and Rayna Gellert, When the Sun Goes Down (2019).
Kieran Kane has been recording excellent Americana records for decades. More recently, he has been releasing records with Rayna Gellert. They complement each other with their understated approach to just writing excellent, mellow folky songs.
Lantlos, Wildhund (2021).
I think Five-Inch Taint recommend this band to me. Strange mix of postrock, shoegaze, and metal. Heavy, emotional, and foreboding.
Scowl, How Flowers Grow (2021).
Scowl is tearing it up. PaulySure saw them play at least six times this year. There is a great picture of him stage diving at one of their shows in Salt Lake City. Powerful punk rock. Yes, you need this record.
Custody, II (2020).
A very cool record by a Finish punk rock band that plays music inspired by Samiam, Solea, Knapsack, basically anything that Sergie Loobkoff has been in. I get it. I love it.
500 Miles to Memphis, Hard to Love (2021).
As time passes, the punk rock aspects of 500 Miles to Memphis are more prominent. They still have roots in alternative country, but they increasing kick ass.
Imarhan, Aboogi (2022).
This Algerian band gets better with every record. Here, they have a bigger sound, with additional layers within the songs that hold my attention. Great rhythms and strong choruses.
Flag Day Soundtrack (2021).
I have not seen the film, but the soundtrack is beautiful. It mostly contains collaborations between Eddie Vedder and Glen Hansard, but the standout track is Olivia Vedder singing “My Father’s Daughter.” It is so moving and beautiful; I sit transfixed whenever I listen to it. In fact, while the rest of the songs are good, I wish the record was simply sung by Olivia.
Paul Cauthen, Country Coming Down (2022).
Paul Cauthen continues to create distinct records blurring country, soul, and more. His voice is stunning. The record is spacious, chilling, and trippy. He is cool as fuck.
Brenton Wood, Very Best of Brenton Wood (2017).
The collection starts with “The Oogum Boogum Song.” It has always been catchy and makes me want to dance. Great soul music collection by this amazing singer.
Bush Tetras, Rhythm and Paranoia: The Best of Bush Tetras (2021).
Angular, post-punk. I bought this collection mostly for the song “Too Many Creeps.” I love the bass line and the vocals.
Morgan Wade, Reckless (2021).
Morgan Wade has a fuckin’ great voice that demands attention. While the record is quite polished and has some mainstream country elements, the songs are excellent. The songs are still gritty. After listening to a few songs, I realize that I just want to listen to the record over and over. Absolutely wonderful.
Drug Church, Hygiene (2022).
Drug Church still makes me want to run around in circles until I collapse from exhaustion. The new record has driving riffs, but there are more moments that are a bit subdued for interesting vocal parts, adding to the tension within the songs. Their shows are thrilling, as everyone is bouncing to the beat.
Superchunk, Wild Loneliness (2022).
Growing older with Superchunk is quite a treat. They capture the various experiences, anxieties, fears, and pleasures of the moment. There is a calm that comes from hearing their music, almost as if they are friends with whom you are having a long conversation. “Endless Summer” addresses deep concerns regarding climate change. “Refracting” kicks up the pace, as we still like to rock out on these aging bones.
Vincent Neil Emerson, Fried Chicken and Evil Women (2022).
I am a little pissed that I missed seeing Vincent on this recent tour. Excellent country music.
Sunny Sweeney, Married Alone (2022).
This is the best Sunny Sweeney record that I have heard so far. Her voice is great. The pedal steel is wonderful. Excellent up-tempo songs and touching ballads.
End It, Unpleasant Living (2022).
The album starts with Patsy Cline singing “I Fall to Pieces” and then erupts in a barrage of hard-hitting hardcore. The record gains momentum from song to song. From time to time, End It throws in a metal voice just for a few seconds. These layers seem to add some humor to the direct lyrics.
Frayle, Skin and Sorrow (2022).
Five-Inch Taint gave me a copy of this CD. While the band describes themselves as doom, I hear a lot of shoegaze music within their songs. This combination makes them stand out. Heavy, plodding songs, with gorgeous vocals.
Tim Heidecker, Fear of Death (2020).
Five-Inch Taint also recommended this record to me. Many of the songs fall somewhere between 1970s country-rock and 1980s radio rock ‘n’ roll. Good lyrics overall.
Ian Noe, River Fools and Mountain Saints (2022).
Singer-songwriter Ian Noe delivers another excellent Americana record.
Charger, Warhorse (2022).
Matt Freeman’s Charger is a punk rock band that plays early to mid-1980s heavy metal. The Motorhead influence is strong. Additionally, there are health doses of Judas Priest and Running Wild, before the latter became a pirate band. One song even sounds like “Hell Bent for Leather.” Charger has found a sweet spot for their sound.
Messa, Close (2022).
Messa just gets better and better. Heavy, beautiful doom, mixed with global influences.
Christian Kjellvander, Wild Hxmans (2018).
This Swedish musician captured my attention many years ago. When I find his albums at a reasonable price, I eagerly buy them. Dark, tender, moody music that is comforting, especially in winter.
Charlie Parr, Last of the Better Days Ahead (2021).
Charlie Parr enriches the world with his music. I am more partial to his folk songs, but appreciate his blues songs. His voice touches the heart on each record.
Tracy Lawrence, Hindsight 2020 (2021).
Celebrating thirty years of putting out country albums, Tracy Lawrence released three records, collecting new songs and re-recordings of earlier tunes. I have grown to appreciate his music. One thing I like about these three records is that all of them are more consistent in production. They are more mellow, reflective, and capture an aging artist.
Ryan Culwell, Run Like a Bull (2022).
Pleasant country music. When listening to it, I try to ignore the religious stuff. When I accomplish this, several of the songs are much more enjoyable.
Sonja, Loud Arriver (2022).
Sonja play a cool mix of gothic and metal. It has a touch of ethereal vocals with catchy rock songs.
Kaitlin Butts, What Else Can She Do (2022).
Solid mellow country music. Good stories and singing.
Greg Sage, Sacrifice (for Love) (1991).
This gem from the leader of the Wipers is wonderful. It used to get plenty of play on college rock stations. The music is similar to other college-rock bands at the time that incorporated country and desert rock influences. The jangly guitar and touch of reverb are dreamy. Pretty mellow stuff by Greg.
Punch, They Don’t Have to Believe (2014).
I think I am in love with Brian Stern, as least all of his bands. I wish Punch was still around. They played an intense type of hardcore. Meghan’s vocals are excellent, adding an additional power to the songs.
Emerson, Lake, and Palmer, Trilogy (1972).
Consider 2022 the year that I finally get Emerson, Lake, and Palmer, I think. Anyhow, I spent a lot of time listening to their various records. I particularly enjoyed a long drive across Wyoming, blasting ELP CDs. They sounded larger than life, moving between the gentle acoustic song “From the Beginning” to the funky “The Sheriff” to the driving, frenetic “Hoedown.” I was completely taken with the various parts and layers within the songs. Plus, ELP can be super heavy at moments. Now, I need to tackle Brain Salad Surgery.
The Black Lillies, Stranger to Me (2018).
The Black Lillies continued to expand their Americana sound on this record. One thing that I found most exciting is that Sam Quinn from Everybodyfields is now in the band. The addition of another songwriter and vocalist added a nice touch.
Kassi Valazza, Dear Dead Days (2019).
Tender country-folk songs from this Portland musician. Great voice.
The Sadies, Colder Streams (2022).
The Sadies are brilliant. Throughout their career, they have mixed country, folk, rock, surf, psychedelia, and garage rock. They have distilled these influences into their distinct sound. They consistently release outstanding records. Wishing them the best as they move forward following the death of Dallas Good earlier this year.
Moon Tooth, Phototroph (2022).
Moon Tooth plays progressive metal with clean vocals. Every song has many catchy hooks.
Reckless Kelly, American Girls/American Jacket (2020).
I finally got around to listening to this two-disc release by Reckless Kelly. In the past, since their first record, I would immediately listen to each of their albums. Guess, I was just overwhelmed with other things. They have moved from an alternative country band to a more refined (not mainstream) country band. This is a very strong collection of songs, with each side having a distinct focus. Made me recall how wonderful they were when I saw them play at a honky tonk in Portland.
The Spinners, The Very Best of the Spinners (1993).
Almost my entire life, I can recall hearing the Spinners’s song “I’ll Be Around.” I love this perfect song, which is just over three minutes long. The vocals are uplifting. The music is beautiful. There are interesting changes and distinct layers within the tune. Every time I hear it, I am filled with happiness and hope. I need songs such as this as part of everyday survival. The rest of the songs on this collection are solid. Plus, the catchy “Rubberband Man” is included.
Bent Blue, Between Your and You’re (2020) and Where Do Ripples Go? (2022).
I am sucker for all the new bands inspired by DC-hardcore. Bent Blue have a more aggressive sound (with shouted vocals) than many of the other contemporary bands. Good shit.
Jade Dust, Jade Dust (2021) and Wild Geese (2022).
With each record, Jade Dust get better. Like many others, they are influenced by DC-hardcore bands from the 1980s. Fortunately each of these bands is distinct like so many of the Dischord bands were. Jade Dust records give me goosebumps.
Canal Irreal, Canal Irreal (2021).
Wayne clued me in on this band, otherwise, I would never have heard of them. I was excited just by the mention that Martin Sorrondeguy from Los Crudos was singing for this band. Canal Irreal is quite different from Los Crudos, but it still rocks. In some ways, they sound like a darker, menacing, and more aggressive version of The Wipers. The guitar sound is haunting at times. The bass and drums are relentless, driving everything forward. This is a real gem that seems to be hard to find at this point. If you can find it, snag it.
Eric Brace and Last Train Home, Everything Will Be (2022).
I loved the Last Train Home records, before Eric Brace started doing solo records. Have been very pleased that he has started to play with Last Train Home again. His smooth voice goes so well with the gentle sounds of the band. Comforting and pleasurable Americana music that feels like a hug.
Method of Doubt, Staring at Patterns (2021).
Fortunately, I was able to get one of the printings of this record. Good hardcore, with a very cool Rites of Spring feel.
Moonkisser, Summer’s Fleeting Majesty (2020).
Moonkisser are a melodic, post-hardcore band from Portland, Oregon. Great six songs on this record.
Remission, Enemy of Silence (2018).
Remission are from Chile. The opening track, “Drifting,” sounds like it could be on a Verbal Assault record. I am a sucker the guitar tone.
Her Head’s on Fire, College Rock and Clove Cigarettes (2022).
Her Head’s on Fire includes former members of The Bomb, Dead Ending, Garrison, The Casket Lottery, and other bands. They play straightforward, catchy punk mixed with alternative rock, with more driving guitars.
Lee Fields, Sentimental Fool (2022).
Lee Fields kicks ass. Record after record is filled with exceptional classic soul music. Just go buy his records and enjoy the marvelous singing and feeling of this music.
Willi Carlisle, Peculiar, Missouri (2022).
Five-Inch Taint introduced me to Willi Carlisle, by sending me a link to his performance of “Tulsa’s Last Magician” on Western AF (see below). Check it out, as it is exceptional, tears and all. Willi is an incredible lyricist. Sit with his words, as they demand attention and appreciation. Great mix of folk and country.
Celebration Summer, Against the Gun (2020).
This DC band would pair well with Hot Water Music. There are also touches of Fuel. Four great songs on this EP.
Kelsey Waldon, The Gold Mine (2014) and No Regular Dog (2022).
Kelsey Waldon consistently puts out great folk-country records. It makes sense that she is on Oh Boy Records. She fits well alongside John Prine, as far as how he fell between genres. Great voice. Well-crafted songs.
Archers of Loaf, Reason in Decline (2022).
Here is the return of Archers of Loaf. They have nailed it, putting forward an exceptional record. In fact, I think this is my favorite record by them. I really like how Eric Bachmann’s voice has developed through the years of his solo work and time in Crooked Fingers. Everything sounds great. Fingers crossed for more new music by them.
Le Orme, Uomo di Pezza (1972).
Really wish I knew about this band earlier. The early records by this Italian progressive rock band are incredible. The operatic vocals and driving bass are mesmerizing. I think Wes Anderson should incorporate the song, “Gioco di Bimba,” into one of his films. The quirkiness would fit well.
The Phoenix Foundation, These Days (2003).
Finish, melodic hardcore. Would be good to see them play with Hot Water Music.
Eloy, Ocean (1977) and Silent Cries and Might Echoes (1979).
German progressive rock band Eloy has been around since 1969. Their first record was released in 1971. I have been listening to their 1970s records. They incorporate both symphonic and space elements. These two records are masterpieces by the band. They sound great when played loud.
Nektar, Magic Is a Child (1977).
While I really love Nektar’s earlier records, such as A Tab in the Ocean and Remember the Future, this year I was quite taken by Magic Is a Child. Many of the songs have an interesting mix of prog with some mainstream flourishes here and there, as they incorporate some Beatles elements. At other times, the guitars are still heavy and bombastic, between the mellow moments.
Sweat, Sweat (2020).
This four-song seven-inch gets me bouncing around the room. Energetic punk rock. Check out “Jokes on Me.”
The Cult, Under the Midnight Sun (2022).
The new Cult record was a welcome surprise. It is dark, haunting, and moody, with many of the gothic elements that are on Dreamtime and Love. The record sounds great and the voice is located in a great spot within the mix.
Death Cab for Cutie, Asphalt Meadows (2022).
The discordant elements on several of the songs are captivating, as they mix with the lush, smooth singing in a powerful way. The added punch with the pulsating rhythm create a distinctive feel to this record.
Rocky Votolato, Wild Roots (2022).
Wild Roots is a concept record, filled with songs about Rocky’s life and family members. I really appreciate Rocky’s more mellow, introspective songs. His voice is intimate, gentle, and touching. This fall, Rocky played a house show in a neighboring town, where the depth of these songs was on full display with just his guitar and voice. Stand out songs include “Evergreen” and “Becoming Human.”
Jeannie C. Riley, Harper Valley PTA: The Plantation Recordings 1968-70 (2013).
In 1968, Jeannie Riley had a hit with the Tom T. Hall song “Harper Valley PTA,” which spoke about the hypocrisy of the self-righteous “moral” folks in town. This collection includes five of her impressive country records. Jeannie’s voice is strong and powerful. It is filled with swagger and defiance. There are several songs very similar to “Harper Valley” extending the story.
Vieux Farka Toure et Khruangbin, Ali (2022).
Fucking beautiful collaboration between Vieux Farka Toure and Khruangbin, where they cover Vieux’s father’s songs. The hypnotic guitar is enthralling.
Thomas Zwijsen, Nylon Maiden series.
Throughout much of the year, I have been listening to various CDs released by Thomas Zwijsen. In particular, he has a series of CDs where he performs arrangements of Iron Maiden songs on classical guitar. He captures the beauty and vocal melody in powerful ways. Blaze Bayley sings on the occasional song, adding a nice connection to the Maiden family.
Wrong War, Once Upon a Weapon (2022).
Love this newer band. They play hardcore punk rock in the vein of Articles of Faith and Dead Ending. Pissed off, powerful music to get your out of your seat.
Immolation, Acts of God (2022).
I am a newbie to Immolation. Have been enjoying this pummeling death metal. The drums are relentless, setting up the assault of all the other instruments and voice.
Berthold City, When Words Are Not Enough (2022).
Berthold City is a straight-edge hardcore band from Los Angeles. They sound more pissed off than many of the classic bands in the genre, but still contain some of the great aspects of such groups. Fortunately, they stay away from the metal hardcore sound.
Hammered Hulls, Careening (2022).
Outstanding album featuring Alec MacKaye who sang for Ignition. His singing and yell remain as strong as ever. His voice demands attention, which pairs well with the social commentary within the lyrics. The record is exciting, as it feels both classic and new at the same time. I am hoping the band has some longevity, as it seems these punk rockers are reinvigorated.
Songs:
Danbert Nobacon, Kira Wood Cramer, and The Axis of Dissent, “Climate Emergency (Parts 1 and 2),” from Mesmerica—Expect a Circus (2020).
Danbert, of Chumbawamba fame, continues to write sophisticated political critique and satire. The opening track on Mesmerica, which is a collaboration between Danbert and Kira, is mesmerizing as it addresses how global capitalism is driving humanity off the climate cliff. The climate emergency demands revolutionary action.
Fish, “Garden of Remembrance,” from Weltschmerz (2020).
In the 1980s, Fish was the vocalist on the first four Marillion records. Following this, he has put out many solo albums. In 2020, he released Weltschmerz, which is supposed to be his last record. I do not have this record yet, but I recently heard his song “Garden of Remembrance.” Almost every day, I listen to the song, and it fucks me up each time. It is absolutely moving, as the lyrics seem to be addressing how dementia is affecting a couple. The video is also quite stunning, as it was filmed right before the Covid lockdowns took place in the United Kingdom. Give it a listen.
Painted Willie, “Kill It,” from Ragged Army (1984).
Finally picked up the Painted Willie seven-inch that I was missing. For many weeks, each morning, I would just play the side with “Kill It.” The propelling, pounding guitar riff got my blood pumping. There is a desperation and danger in the song that is exciting.
Concert/Festival:
I enjoyed quite a bit of live music this year.
This included taking a trip with my wife and her sister to see Superchunk (twice), Bad Religion, Jawbreaker, Descendents, Face to Face, and Samiam, all within a week.
I also attended the wonderful Rapid City Punk Rock Family Reunion, where the following bands played: 11 Strap, Painful X-tremities, Black Dots, Logjam, Mothermayi, Someday Best, Straight from the Heart, American Heavy Metal Weekend, Social Joke, Libido Boyz, and War//Plague.
My other favorite concerts included seeing: Drug Church, Mudhoney, The Church, Gatecreeper,
Justin Hayward, Jason Boland, Margo Cilker, Hot Water Music, Modern Life Is War, ZZ Top, Zombies, Son Volt, The Psychedelic Furs, X, Verbal Assault (finally), Air Supply (yes that’s right), Roger Waters (fucking incredible), Iron Maiden, Built to Spill, Arlo McKinley, White Buffalo, A Flock of Seagulls, Chemical Fix, Destiny Bond, Oingo Boingo Former Members, Off!, Zulu, Soen, and Oceans of Slumber.
Films:
Dio: Dreamers Never Die (2022).
Ever since hearing that this film was being made, I was eager to see it. Great presentation of Dio’s early life, including his time in Elf, Rainbow, and Black Sabbath. For the Dio band, the main story covers the first three records, which is interesting. I wish more time was given to the rest of his life, which is several decades, as he made many incredible records during this time. Overall, it is a great film.
Nothing Compares to You: Sinead O’Connor (2022).
Like so many documentaries, the story mostly focuses on the first few records. Nevertheless, the arc here is quite fascinating, given all the challenges that Sinead confronted.
Crock of Gold: A Few Rounds with Shane MacGowan (2020).
Despite some annoying scenes with Johnny Depp, employing a fake accent, this exploration of Shane MacGowan’s life is quite extraordinary. There is plenty of excellent footage of The Pogues performing live, both rowdy songs and tender ballads. It does make me wish there was more Shane MacGowan music in the offing.
The Sparks Brothers (2021).
The Sparks have always been a mystery to me. I have plenty of friends who are diehard fans. I have given a couple records a listen here and there, but I have not been hooked by their music. Nevertheless, this documentary is excellent. Plus, it actually covers much more of their history, unlike the approach taken in other films noted here. The two brothers are truly markable, hardworking, and creative. I admire the hell out of them.
Beastie Boys Story (2020).
I watched this mostly due to my wife’s interest in the Beastie Boys. I really like the presentation of the film, as the two surviving members share reflections, between various clips. Their critical reflection regarding themselves and their lyrics was wonderful.
American Utopia (2020).
This live performance of David Byrne was outstanding. He presented songs from throughout his catalog and included a great cover. Between many songs, he reflected upon the importance and meaning of various songs, offering a critique of police violence, anti-immigration, and fascism.
I Called Him Morgan (2016).
A tender and tragic story regarding jazz great Lee Morgan and his partner Helen Morgan.
Creem: America’s Only Rock ‘n’ Roll Magazine (2019).
I love that a documentary was made about a rock magazine. Interesting story of how the magazine was established, run, and developed. The most fascinating parts focus on the various writers for the magazine, their conflicts, and their obsessions.
Mr. A and Mr. M: The Story of A&M Records (2021).
Insightful story regarding this record label and how they positioned themselves.
Bitchin’: The Sound and Fury of Rick James (2021).
Very good film, which highlights Rick James’s creativity. Plenty of funky shit here.
There Will Be Quiet: The Story of Judge (2015).
Short film covering the initial history of Judge and the various bullshit that surrounded and distressed the band.
A major thread within this film is Poly Styrene’s daughter exploring her relationship with her mother and going through various archives. While I understand how this is part of the emotional hook and connection, I did not find this aspect to be very interesting or useful. The rest of the film is much more engaging, plus there is some great footage of X-Ray Spex.
Triumph: Rock & Roll Machine (2021).
This Banger Film was a longtime in production. It was finally released on DVD the end of November. I very much enjoyed the stories of the various members of Triumph. I never saw them play but heard of lot of their music when I was young. In the film, there is plenty of footage, capturing the cheesy aspects of rock music, with all the over-the-top exaggerated performances. But at the core of the film remains the music and lives of the members. Wish there was more exploration of the latter stages of the band. Seems like documentarians like to skip huge parts of artists’ lives.
We share here some of the musical grievances of fellow taint ticklers.
Jimmy “Explosive Diarrhea” B.:
The Who:
I have wanted to see The Who for decades, and I was finally able to attend one of their shows. The show was great in some ways, and will no doubt make my 2022 highlight list as well as this list. The problem with the show was the thirty musicians on the stage. There were both woodwind and string orchestras. There were three people playing guitar, and a keyboardist. The Who should be a quartet where only three are playing instruments. Every bit of the sonic space was filled. I found it difficult to hear Pete’s solos. Even the drums were dulled.
Lazy Fucking Artists:
A year ago, I whined about how bands that could not tour were not making and/or releasing new albums. I stand by this statement since very little was released over a two-year period, and the flood of albums hitting the market over the last six months has not made up for the lost years of musical releases. But my current complaint is the flood. I don’t care about most of the things being released. However, I am interested in enough of them to make it hard for me to keep up with what is coming out. These assholes should have been releasing these albums over the past two years instead of reaching into my pocket all at the same time.
Krallice:
I used to really dig the metal band Krallice. Their albums have decent production values, but in 2022 I purchased Demonic Wealth. Musically, the album, what I can hear of it, seems stellar. Unknown to me at the time of purchase is that the album was recorded by using cell phones. Nothing turns me off of a band like bad production. And when the band intentionally makes an unlistenable album, I am fucking done with that band.
Mrs. Diarrhea B:
I had tickets to see Mike Watt at a small club in a nearby city. Mrs. D. and I drove about an hour south, when she started puking. Mrs. D., you see, does not have a good sniffer; she cannot tell when the meat she is eating has turned bad. At the time the heaving started, we were about ten minutes from the venue (it’s lucky we have dogs—poop bags make a great vomit receptacle). My first-time seeing Watt will have to take place later, and Mrs. D. will be staying home.
Marty Robbins:
I grew up listening to Marty Robbin’s cowboy songs. I love those songs. I assumed that all of his records would be fantastic—with an amazing voice like his how could they be bad. I was wrong. Marty Robbins sucks. The cowboy songs are great, everything else is horrible. He, along with Jim Ed Brown, ranks at the bottom of the country hierarchy for me. Complete shit!
Scott:
Neil Young and Crazy Horse recently released a new album, World Record. I can’t tell you anything about the music, because I haven’t listened yet. (I did like their last one, Barn.) But I was annoyed to learn that, even though the album is forty-something minutes long, he’s releasing it on two CDs, to “mirror” the vinyl track list, which is split between two records. Who gives a shit about “mirroring” the vinyl? Is this a real thing? What the fuck! Not only does it make the CD more expensive, which is obnoxious, it’s also wasteful. Decisions involving CD packaging aren’t driving the ecological crisis, I realize, but Neil Young, who claims to care about such things, should know better.
SoDak:
Fluctuating Ticket Prices:
The vast majority of shows that I attend have set ticket prices, which I purchase directly from the venue. However, there is the occasional concert that requires buying a ticket from piece of shit corporate entities such as Live Nation or Ticketmaster. These companies figured out another way to destroy music with their greedy objectives, as they have fluctuating ticket prices, determined by the amount of folks searching for seats. Fuck Live Nation. Fuck Ticketmaster. Of course, this sentiment is nothing new, but worth repeating, as these groups figure out new ways to fuck people over.
Dancing Couple at Gaslight Anthem Show:
From time to time, I end up at a concert where the couple in front of me decides to perform just for me. When this happens, it is almost always a young woman dressed as a rich hippie with a boyfriend who looks like Tarzan and is wearing a Hawaiian shirt. They intertwine their arms and legs, simulating fucking each other. Their hands run through each other’s hair, as they thrust into each other. In the throngs of their pleasure, they repeatedly bump into me, as if I am a wall, helping brace their actions. This sort of dirty dancing, or more appropriately dry fucking, is different than rocking out. It is incredibly distracting. Plus, I do not want their butt grease and love juices on my jeans.
Drive-By Truckers, Welcome to Club XIII.
I love the Drive-By Truckers. They are generally a consistent and hard-working band. They are also awesome live. Their most recent record Welcome to Club XIII is a very lack-luster record.
Anita Papsmear:
Motherfuckers! What a year it’s been. In some ways, it flew by. In other ways, it dragged ass, with each month itchier and scratchier than the last. Are you as exhausted as I am? The pandemic continues to take its toll on everything and everyone. Every societal system is broken under the weight of greed, ignorance, and apathy. Women are now powerless to decide what happens with their lives and their bodies. Our rights literally ripped from our insides. Women are now akin to livestock and have to worry about facing jail time for pursuing family planning. As for me, SCOTUS means nothing. Greed and puritanical ideology corrupt everything it touches. Either stack that fucking court or abolish it for something better, but fuck these Conservative Federalists.
Wanna hear more of my 2022 Fuck Yous? Here you go:
Conservatives: You have accepted violence and hatred as part of your platform. Don’t tell me you are a fiscal conservative and that’s why you vote Republican. The time has long since passed where you can claim to be a one-issue voter and hide behind that simple statement. Women’s rights are dissolving before our eyes, people who are anything but white and straight are beaten, killed, and ridiculed. Your party of choice intends to keep everyone but white males down. Do you not take pause when white supremacists are backing your thoughts? Your politicians? Your belief system? Oh…and you obviously don’t know how elections work. Can I recommend Steve “Daddy” Kornacki? Whatever you do, you piece of shit, don’t waste your time looking up facts, learning things and expanding your mind. By all means, stay stupid and ignorant and claim your personal religious belief system should control everyone. You are anti-American. Go ahead and thank the liberals for that social security check, that health care, that maternity/paternity leave, that park you like to take your dog to, blah, blah, blah. The future is peaceful, green, and full of equality—deal with it or take yourself out in whatever manner you see fit.
People who don’t vote: Fuck you and your apathy. The only reason fascists are taking control of this country is because enough good people do nothing. Fucking vote! People died for you to have the right to do so.
Cancer: Fuck you cancer. Fuck you right in the ass.
American Health Care System: Don’t kid yourself, health insurance companies rule over the doctors' expertise and insurance companies determine your course of care. For profit health care is not health care. We are all going to need and depend on health care at some point and are we are all doomed. Good people die every day because they don’t have money to pay for treatments that can make them well or more comfortable. We are a shameful nation.
