On March 18, 2017,
legendary Chuck Berry died. He wrote numerous hits songs and helped shape rock
music. For decades, when he toured, he had local musicians back him at
concerts. Later this year, his first new record in 38 years will be released. Below
are a few reflections regarding Mr. Berry.
Class Warrior:
It was only after Chuck Berry died that I realized how large
a place he holds in my early days. It also makes me appreciate the musical
tastes of my parents a bit more. In the late seventies and early eighties,
there was plenty of country music in our household—there were a few gems there
(we all know who they are), but for the most part it left me cold. The stuff I
really liked was the late fifties rock ‘n’ roll like Jerry Lee Lewis, Elvis,
Buddy Holly, Little Richard, and, of course and especially, Chuck. So much
energy, passion, and skill! Sure, he says “he could play that guitar just like
a-ringin’ a bell,” but it’s never that easy. Through Chuck’s music, and that of
the others (and more) listed here, I formed my image of what music should sound
like. I can still listen to “Roll Over Beethoven” over and over again. Not that
I do, but I could.
I can’t count how many times I drove by Blueberry Hill in St. Louis, the club
where Chuck played every month. It’s on Delmar Avenue just across the city
limit line in an area called the University City Loop. I never went in. I was
too punk, I guess. What a fool I can be. So be it. Keep ringin’ that bell, my
friend. You are one of the main reasons I have all this wonderful rock music in
my life.
Null:
Chuck Berry liked very young girls and got busted with weed
a lot. He is the epitome of the rock star from his particular epoch. However, I
don’t really want to talk about that.
Like The Beatles and others, Chuck Berry entered my ears at
a very young age. It seems like he was always present. Even as a kid, I knew he
had more street cred than Elvis. As a punk rock teenager, I found his music
redundant and boring; despite the fact that I knew his influence was unquestionable.
In my mind, he and Little Richard laid the foundation for rock ‘n’ roll and all
that followed.
As I got older, I delved deeper into his work and found that
he was much more diverse than I had previously imagined. Much of his music is
just fun and reflects the day-to-day issues and concerns of many teenagers in
the early 50s and 60s—cars, and girls, and rock ‘n’ roll. But, if you listen
closely, there are also remnants of living as a black man in 1950s America.
“Brown-Eyed Handsome Man” was pretty ballsey at the time, and was a statement
of intent and self-agency. When I first heard the song “Downbound Train,” I
realized that there was more to Chuck than “Johnny B. Goode” and “Sweet
Sixteen.” Busloads of diverse people are on their way to hell; it was a
precursor to AC/DC’s “Highway to Hell,” sung in a classic 50s rock ‘n’ roll,
Sun Studios, “Blue Moon” kind of atmosphere. Remember, this was the birth of
rock ‘n’ roll. The “wee wee hours” that appear in this song also appear a
decade, or so, later in Springsteen’s “Open all Night” from his great Nebraska album, which illustrates the
underbelly of the United States. The “wee wee hours” are a place of solace for
many people, including a black man in the 1950s. Sometimes, it is safer in the
dark of night. Often, this is still the case today, as the outcasts feel
threatened in the light of day. Chuck Berry is truly an icon of American music,
with all of its festering tumors as well as, its rebellious beauty.
In addition, I have always been blow away by the energy and
vitality I have witnessed in video clips I have seen of Chuck Berry live over
the years. Even in his 60s, he rocked the fuck out live. He died at the age of
90; I think he had a pretty good run. I think it is hard for younger
generations to fully appreciate his influence and importance. Rock ‘n Fucking
Roll. R.I.P. Chuck, R. I. Fucking P.
SoDak:
Unfortunately, I associate Oingo Boingo’s song, “Little
Girls,” with Chuck Berry. Danny Elfman sings: “I love little girls, they make
me feel so good, I love little girls, they make me feel so bad.” Latter he
sings, “Uh oh, it’s a mistake…Uh oh, I’m in trouble…the little girl was just
too little.” It is well-known that Chuck had some problems, which also included
video taping women in a bathroom in a restaurant that he owned. Nevertheless,
he was a master musician and he is owed much respect on this front.
Approximately nine years ago, I was sitting at home reading
the weekly newspaper. I saw an advertisement for a free Chuck Berry concert in
downtown, Raleigh, North Carolina. I thought, “Fuck yeah, we can go see the
legend play.” The problem was that was 9 PM and the show started at 7 PM. Berry
had already performed. Fucking hell. Disappointed, I spent most of the night on
the computer watching old black-and-white footage of Chuck Berry performing. I
always loved the stripped-down kick-ass sound of Chuck Berry’s songs. “Maybellene”
combined country guitar licks with rock and blues. His instrumental song “Deep
Feeling” resonates with the steel guitar. I love the groove on “Nadine” and “No
Particular Place to Go.” When I was in elementary school, I was obsessed with his
song “Memphis, Tennessee.” His guitar and vocals are perfect, presenting this
story of heartbreak.
Chuck Berry was punk fuckin’ rock. Watch him rock the fuck
out, while stiff starch-shirted youngsters sit clapping at his shows in the
1950s and 60s. Whenever I hear Chuck Berry, I want to jump around and go fuckin’
nuts. Not sure how the crows was so sedate. One thing is clear, Chuck Berry still
kicks ass.