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There is a good chance you found us accidentally by using the word “taint” in your search (If you found us on purpose, you deserve our accolades). Of course, we don’t know what you were looking for, but you stumbled on a damn cool project. Look around; let us help send you on a musical journey. Here you will find a number of album reviews from the strange and extreme to the tame and mainstream. Our reviewers are a bunch of obsessive miscreants. Most of us are avid music collectors and have been involved in the music world for decades. A couple of us have been in or are still in bands.

There are no rules on Tickle Your Taint Blog. Our reviewers might make you laugh, or piss you off; both results are legitimate. One reviewer might write a glowing review of an album; another might tear it apart. We may have a new review every week, or we could end up with one every six months. This blog exists as a social experiment to build community among a diverse group of music maniacs – our reviewers and hopefully you.


Sunday, May 19, 2024

Full of Hell/Nothing, When No Birds Sang (2023)


By Jack Rafferty


Full of Hell is prolific in their collaborations to say the least. They did three collab albums in 2023 alone. Of those three, When No Birds Sang is perhaps the most unexpected. Joining forces with Nothing, a shoegaze band, is a surprising dynamic, all the more surprising because it works extremely well. Full of Hell is no stranger to tempering their typically unhinged, caustic form of grindcore to new sounds (Merzbow, The Body, etc.), but their ability to maintain the brutality of their music while seamlessly blending with the slower, hazier atmosphere of Nothing is worthy of praise. The opening track, “Rose Tinted World,” especially stands out. Beginning with a bludgeoning tempo, the track fluctuates all over, closing in many samples of daytime television or news broadcasts looped over each other, producing a dizzying and eerie effect, then to sounds of distorted static like a forest fire, which leads directly into the clean guitars and vocals of the second track, like emerging from smoke into fresh air. The chemistry on display here is evident, and I really enjoyed the hell out of this one. 

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