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There is a good chance you found us accidentally by using the word “taint” in your search (If you found us on purpose, you deserve our accolades). Of course, we don’t know what you were looking for, but you stumbled on a damn cool project. Look around; let us help send you on a musical journey. Here you will find a number of album reviews from the strange and extreme to the tame and mainstream. Our reviewers are a bunch of obsessive miscreants. Most of us are avid music collectors and have been involved in the music world for decades. A couple of us have been in or are still in bands.

There are no rules on Tickle Your Taint Blog. Our reviewers might make you laugh, or piss you off; both results are legitimate. One reviewer might write a glowing review of an album; another might tear it apart. We may have a new review every week, or we could end up with one every six months. This blog exists as a social experiment to build community among a diverse group of music maniacs – our reviewers and hopefully you.


Monday, May 6, 2024

Outer Heaven, Infinite Psychic Depths (2023)


 By Jack Rafferty


Outer Heaven’s Realms of Eternal Decay was a masterful debut, as they really came out of the gates ready to fuck shit up on that one. Five years later, we get what is essentially a conceptual prequel to that album. I’ve never really cared much for the concept aspect behind their work, as it struck me as overly lofty for what they go for. Regardless of that, though, Infinite Psychic Depths finds Outer Heaven pushing the boundaries even further. While maintaining a sound that is firmly rooted in old school death metal, like their contemporaries Tomb Mold, they add enough new spices to keep it fresh and to keep its distance from being derivative or reveling in nostalgia. The cover art is kind of silly to me this time around, which I usually wouldn’t mind, but it doesn’t really seem to mesh with the demeanor that Outer Heaven is going for. At the end of the day, though, you just really can’t fuck with the riffs, grooves, and earth-splitting sound here. Frankly, this just kicks all sorts of ass and I’m here for it. I do think the album is rather front-loaded, with the back half leaving a bit to be desired.


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